In the second part of this two part episode, Dr. Vanessa Theme Ament, author of The Foley Grail and Foley Artist on such films as Die Hard, Platoon, and Predator, continues her conversation with Sara Pinheiro. You can learn more about Sara at her website: sarapinheiro.com. If you missed part one, please listen to Episode 27 first which sets up the second half of this discussion. As you will learn upon listening to this podcast, Sara straddles the world of sound designer, sound experimenter, and an academic exploring the role of sound in media. In terms of film and video-art, Sara does sound recording, editing, foley and mixing. In her solo practice, Sara also makes acousmatic pieces, usually for multichannel performances, radio broadcasts or installations. Her work crosses practices of sound design for film with concrete and acousmatic music. It blends natural and artificial soundscapes via field recordings, foley practices and signal processing. Sara is currently pursuing a PhD in music and media, and her research-based practice can be found under the name "Acousmatic Foley." In the second part of this two-part podcast, Vanessa and Sara discuss the various filmmakers and films that have inspired their creative work in sound design and music. They discuss various projects they have each worked on that advance the idea of sonology and the acousmatic spectator. Sounds themselves--and not just music or dialogue--can be used to develop the story or to advance an emotion in a film. Join us for a unique and penetrating journey into the World of Performative Film Sound!