Come join me as we enter the scene of a remote military outpost where we'll experience the tumultuous relationship between two embittered souls as they confront the harsh realities of their disintegrating marriage. Oh how lives of others can be so easily dismantled by the whims of the few.

"I have lived a life of quiet desperation, clinging to the illusion of happiness. But now, as I stand on the precipice of oblivion, I see the truth with startling clarity. We are all prisoners of our own making, trapped in cages of our own design. And yet, even in the darkest of times, there is a flicker of light. A spark of hope that refuses to be extinguished. I may be flawed, imperfect, but I am still alive. And as long as there is life, there is the possibility of change."

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*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*