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聖と俗 対話による宮台真司クロニクル
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「面白いことを言おうとしたりといった意識はまるでない。このひと、どんな話題にも真正面から立ち向かっていってしまうたちなのだ。そのいちいちの〝愚直さ〟が見ていて聞いていてなんとも愛おしい! とは当代随一の社会学者にして各方面に多大なる影響力を発揮する著名な論客でもある人間をつかまえていうには失礼千万な感想だとは百も承知の上で申すが、とにかく私はそんな宮台さんの、人を警戒するということを全く知らないような隙だらけの対応に接しているうち、なんだかたまらなく可愛いく思えてきてしまったのである。
そして、「そうだ! このことをばこそ世に知らしめねば」。そう直観したのだった。そこがいわばこの企画のスタート地点/原点なのである。(中略)
今回、宮台さんには自身の今日に至るまでの人生のなかでその時々に思ったこと、感じたこと、考えたことを自在に語っていただいたのであるが、そこには何か通底する本質があるようにも思えた。それは「心の優しさ」なのかも知れない。話が進むにつれ私はそう強く確信するに至ったのである。」(中略)
宮台真司の魅力とは、結局無類のともいえるほどの誠実さの持ち主、言い替えるのならあきれるほどの正直者だということに尽きるのではあるまいか。」 ―― 近田春夫
「本書は、1960年代の幼少期から2006年頃(40歳代半ば)に結婚するまでの自伝だ。自伝を出すなど考えたこともなかった。近田春夫さんと壇上で大喧嘩をした後、僕を気に入ってくれた近田さんが楽屋で僕の自伝をプロデュースしたいとおっしゃり、偶然そこに編集者が居合わせたことで文字通り気付いたら本書を出すことになっていた。近田さんが聞き手になった対話は延べ十数時間。それを何とか一冊に収まるようにしたのが本書である。(中略)
映画批評のキーフレーズは25年間変わらず、『ここではないどこか』『どこかに行けそうで、どこへも行けない』『社会から世界へ』『世界からの訪れ』『一緒に屋上に上がって同じ世界で一つになる』。本文を読んでお分かりのように、旅も、恋も、ハイデガーを起点とする理論研究も、援助交際や色街のフィールド研究も、これらキーフレーズが指し示す通奏低音が鳴っていた。今も鳴っている。それに気付けたことが最大の収穫だったように思う。」―― 宮台真司©2024 Shinji Miyadai, Haruo Chikada Published in Japan by KK.bestsellers (P)2025 MEDIA DO Co.,Ltd.
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