Drawing together a fascinating body of writing from over 14 years of work, Figures in a Landscape ranges from profiles of cultural icons (Oliver Sacks, Elizabeth Taylor, Robin Williams) to intimate personal remembrances, from thrilling adventures in Africa to literary writings from Theroux's rich and expansive personal reading. Collectively these pieces offer a fascinating portrait of the author himself, his extraordinary life and his restless and ever-curious mind.

The stories in Paul Theroux’s fascinating new collection are both exotic and domestic, their settings ranging from Hawaii to Africa and New England. Each focuses on life’s vanishing points—a moment when seemingly all lines running through one’s life converge, and one can see no farther, yet must deal with the implications. With the insight, subtlety, and empathy that has long characterized his work, Theroux has written deeply moving stories about memory, longing, and the passing of time, reclaiming his status, once again, as a master of the form.

In Ghost Train to the Eastern Star, Paul Theroux retraces the steps he took thirty years ago in his classic The Great Railway Bazaar. From the Eurostar in London, he once again sets out on a journey to the East, travelling overland through Eastern Europe, India and Asia. Infused with the changes that have shaped the exterior landscape and enriched with developments to his own perceptions and psychology, Ghost Train to the Eastern Star is an absorbing and beautifully written follow-up to The Great Railway Bazaar.

The Great Railway Bazaar is Paul Theroux's account of his epic journey by rail through Asia. Filled with evocative names of legendary train routes - the Direct-Orient Express, the Khyber Pass Local, the Delhi Mail from Jaipur, the Golden Arrow to Kuala Lumpur, the Hikari Super Express to Kyoto, and the Trans-Siberian Express - it describes the many places, cultures, sights and sounds he experienced and the fascinating people he met.

In Fresh Air Fiend, Theroux's pen serves him well with astute, lively pieces that stray far beyond simple "travel essays" and reveal his self-inflicted lifestyle of compulsive travel, writing, and alienation. In this collection, there's a strong autobiographical streak, as well as historical perspectives and a sardonic view on aging. "One of the more bewildering aspects of growing older," he writes in "'Memory and Creation,'" "is that people constantly remind you of things that never happened."