The Chief

Heartfelt, powerfully engaging, and in the tradition of Anthony Doerr’s All the Light We Cannot See, this is a work of storytelling bravado: a thrilling action-packed art heist, an imaginative chronicle of forgotten history, and a poignant coming-of-age epic where a child navigates one of the most morally complex fronts of World War II and lives to tell the tale.

Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path.

Relentless phone calls interrupt the peace of a warm August morning in Three Pines. Though the tiny Québec village is impossible to find on any map, someone has managed to track down Armand Gamache, head of homicide at the Sûreté, as he sits with his wife in their back garden. Reine-Marie watches with increasing unease as her husband refuses to pick up, though he clearly knows who is on the other end. When he finally answers, his rage shatters the calm of their quiet Sunday morning.

Flavia de Luce has taken on the mentorship of her odious, moon-faced cousin Undine who has come to live at Buckshaw following the death of her mother. Undine’s main talent, aside from cultivating disgusting habits, seems to be raising Flavia’s hackles, although in her best moments she shows potential for trespassing, trickery, and other assorted mayhem. When Major Greyleigh, a local recluse and former hangman, is found dead after a breakfast of poisonous mushrooms, suspicion falls on the de Luce family's longtime cook, Mrs. Mullet.

To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits even Compton hadn’t previously imagined.

Former Super Bowl MVP quarterback Zach Bridger hasn’t seen his ex-wife, Rebecca Pratt, for some time—not since their volatile marriage imploded—so he’s shocked to receive a life-altering call about her. Rebecca has been placed on life support after a violent assault, and he—despite their divorce—has medical power-of-attorney. Zach is asked to make an impossible choice: keep her on life support or take her off of it. Buckling under the weight of the responsibility and the glare of public scrutiny, Zach ultimately walks away, letting Rebecca's parents have the final say.

From the author of the award-winning Fugitive Colors and The Unbreakables, a gripping tale of a young, ambitious journalist embroiled in an international art scandal centered around a Nazi-looted masterpiece—forcing the ultimate showdown between passion and possession, lovers and liars, history and truth.

A six-year-old girl is found in the Norwegian countryside, hanging lifeless from a tree and dressed in strange doll's clothes. Around her neck is a sign that says, "I'm traveling alone." A special homicide unit in Oslo reopens with veteran police investigator Holger Munch at the helm. Holger's first step is to persuade the brilliant but haunted investigator Mia Krüger, who has been living on an isolated island, overcome by memories of her past.

Number one New York Times best-selling author Iris Johansen enters the world of high-stakes gambling in her latest gripping novel.

How far would you go to find out who killed your mother? Adopted Miranda will do what it takes. As this story about murder, betrayal, and dark desires unfolds, things take an unsuspected turn. Things from the past find their way back to the surface, and dead might not mean dead, after all.