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Brigitta Puskás

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Good story, incredibly annoying narrator

Overall
4 out of 5 stars
Performance
1 out of 5 stars
Story
4 out of 5 stars

Reviewed: 06-16-23

I really wish I had read this book instead of listened to it. I really felt like the narrator was trying waaay too hard for no reason, giving characters (like Cara for example) completely inappropriate voices for nooo reason whatsoever. My feeling is that we would have been much better off if this book was simply read out in her normal, monotonous voice. I feel like I lost much of the enjoyment because of her terrible acting...

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Pachinko Audiobook By Min Jin Lee cover art

Gorgeous story - didn't want it to end!!

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 02-16-23

This book was SOOO GOOD!!! The kind of book that I could have kept on and on reading. Last year, I read multiple historical fiction hits, like The Song of Achilles and Hamnet, none of which was really my cup of tea, so I became a bit skeptical about the genre as a whole. Eventually, it was the relationship between Korea and Japan that made me read it, because I realised I basically knew nothing of it and I became curious. It was suuuch a good decision! It was a nice time travel into 20th century Asia, its history and relationships (and food!).

Characters are complex, lovable and relatable. They have complex relationships with one another, and so did I with them. My favourite was Mozasu, although there were soo many interesting characters, such as Sunja, Ko Hansu, Isak, Solomon, Kang Hee, Etsuko, Yomi, Haruki, and Hana... Okay, I basically loved or found every single character fascinating.😄

Noa, I had a hard time with, but I guess he is one of the most important characters in this book, and his fate, compared to and connected to Mozasu's and Sunja's serves as the tragedy, the point and the message of the book. It talks about the unremovable nature of family, heritage and stigma, transgenerational and intrauterine wounds, etc. But to me, the most important message of his story is the fatal nature of shame-based decision-making. His fate is Sunja's fault only in that she was not able to let go of her shame, so she passed it on, instead of simply being truthful with him and the rest of her family. Due to the traditional system of Sunja's family and their world ("what will the neighbors think?") and the vulnerability of Koreans in Japan ("what will the Japanese think?"), as well as the strict belief system of his father ("what will God think?"), he inherited a desperate need to fit in, to be good, but not only driven by your own convictions, but also (unlike his brother,) to fit in, to be accepted . He built his whole identity and future on this. As Sunja says, this is a "cruel idea" to base someone's life on. I spent and still spend a lot of time thinking about him and the reasons behind his actions.

It is ironic that it was partly the too traditional sounding title that held me back from reading this book. I now think that the title is actually the most brilliant part of this book. It gives a nice frame, sends a message about fate and rising above fate, as well as symbolises the family's progression throughout time.

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Revolting but eye-opening

Overall
4 out of 5 stars
Performance
3 out of 5 stars
Story
5 out of 5 stars

Reviewed: 10-19-22

This book tells the tale of someone whose whole life is consumed by the lovelessness and poverty of her childhood. Yet what she becomes is so utterly revolting that it was torture for me to read. Nonetheless, this book is really powerful, amazingly written and it portrays envy, bluntness and hatred excellently. So 5 for the book, 1 for the relatability of the character. However, it may very well be that my reluctance to identify with her shows the best how important this book really is. Because I guess we all are envious and cruel sometimes, and this book holds a clear mirror to that better than anything I have ever read.

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