Leatha Arnold Archer

In this brand-new novella, Keller, everyone's favorite assassin for hire, is Chicago-bound on Amtrak's City of New Orleans, ready to do what he does best. But it's complicated. Usually there's someone ready to point him toward the target. Or he'll have a photo, say. Or, bare minimum, a name and address. Not this time. When he gets to Baker's Bluff, Illinois, he'll have to play private detective before he can get down to business. Well, okay. He knows how it works. So before he even packs his suitcase, Keller buys a fedora.

"Here is Betty White - a woman who has been on television forever!" is generally how Betty White is introduced. And quite accurately, too, since she first appeared in 1949, when both she and television were rank beginners. Since then, she has had one of the most amazing careers in TV, winning five Emmy awards, creating such unforgettable characters as Sue Ann Nivens and Rose Nylund, and appearing in a host of television classics.

The hooker was young, pretty...and dead, butchered in a Greenwich Village apartment. The prime suspect, a minister's son, was also dead, the victim of a jailhouse suicide. The case is closed, as far as the NYPD is concerned. Now the murdered prostitute's father wants it opened again--that's where Matthew Scudder comes in.

The conclusion of Hit and Run found Keller living in a big old house in post-Katrina New Orleans' Lower Garden District, with a new name (Nicholas Edwards), a new wife (Julia), a new career (rehabbing houses), and a baby on the way. It certainly looked as though he was done killing people for money. But old habits die hard, and when the economic downturn knocked out the construction business, a phone call from Dot draws him back into the old game.