Zelda

Claire Abrams' dreams became a nightmare when she passed on a genetic mutation that killed her little boy. Now she wants a second chance to be a mother, and finds it in Robert Nash, a maverick fertility doctor who works under the radar with Jillian Hendricks, a cunning young scientist bent on making her mark - and seducing her boss.

After the Final War, after the appearance of the Bug aliens and their enforced peace, Shining Smith is still alive, still doing business from the old scrapyard bequeathed to her by her father. But Shining is now something more than human. And the scrapyard is no longer just a scrapyard, but a place full of secrets. This life she has built, while empty, is predictable and safe. Until the only friend left from her previous life shows up, dead, in the back of a scrapped Tesla warplane. Clutched in her cold fingers is a note to Shining - warning her of a coming attack.

Sean Suh is done with killing. After serving three years in a psychiatric prison, he’s determined to stay away from temptation. But he can’t resist Annabelle - beautiful, confident, incandescent Annabelle - who alone can see past the monster to the man inside. The man he’s desperately trying to be. Then Annabelle disappears. Sean is sure she’s been kidnapped - he witnessed her being taken firsthand - but the police are convinced Sean himself is at the center of this crime. And he must admit, his illness has caused him to “lose time” before.

In this pulse-pounding short thriller for fans of Big Little Lies and The Last Mrs. Parrish, Maggie Cabot refuses to sit by idly as police re-open an investigation into the mysterious death of a woman her husband used to know. After two decades in a near-perfect marriage, Maggie and James Cabot are enjoying their first year as empty-nesters in their charming Florida suburb, until two detectives arrive at their front door and change their lives forever.

Can a young war correspondent find herself and follow her heart? In this work of historical fiction, 20-something Annabella “Annie” March arrives in France in 1944 intending to write about the war. Soon, however, Annie begins to distance herself from her sometimes-mentor, sometimes-rival - the great Martha Gellhorn - and Gellhorn’s larger-than-life husband, the novelist Ernest Hemingway. She turns to photography in the hopes of making her own name and, to her delight, discovers that images come more easily than words.