Bamagrad03
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How to Turn Down a Billion Dollars
- The Snapchat Story
- By: Billy Gallagher
- Narrated by: Billy Gallagher
- Length: 7 hrs and 57 mins
- Unabridged
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In 2013 Evan Spiegel, the brash CEO of the social network Snapchat, and his co-founder Bobby Murphy stunned the press when they walked away from a three-billion-dollar offer from Facebook: how could an app teenagers use to text dirty photos dream of a higher valuation? Was this hubris, or genius? In How to Turn Down a Billion Dollars, tech journalist Billy Gallagher takes us inside the rise of one of Silicon Valley's hottest start-ups. Snapchat began as a late-night dorm room revelation, the brainchild of Stanford English major Reggie Brown who was nursing regrets about photos he had sent.
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Good start, bland finish, hero worship abound
- By Bamagrad03 on 03-18-18
- How to Turn Down a Billion Dollars
- The Snapchat Story
- By: Billy Gallagher
- Narrated by: Billy Gallagher
Good start, bland finish, hero worship abound
Reviewed: 03-18-18
I have to echo the sentiments of another reviewer from Amazon, the book starts of decent and devolves into hero worship pretty quickly. It also feels like the author lacked material for an entire book, so the back half was meandering without much depth.
There are also a couple of other things I didn't love about the book. First, the writing is rather pedestrian. It really feels like Billy Gallagher isn't a seasoned writer. That's not to say it's bad, just basic.
The bigger issue I had is the one I often have with audio books: the author choosing to narrate. I understand the desire to have a youthful voice given the notion that Snapchat the product is targeted towards a younger demographic. But a book about Snapchat the business isn't necessarily the same target. Billy's voice and style just doesn't hold up to an entire book. I'll never understand why writers opt for themselves as narrators of audio books if they aren't seasoned orators.
I consume start up books like oxygen. And this one wasn't bad. It's a solid C+ in my opinion. But I couldn't get past the lack of 2nd half depth and fanboyism to fully enjoy it. I'd still recommend it, but I'd do so with the previously mentioned notes.
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4 people found this helpful

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Pitch Anything
- An Innovative Method for Presenting, Persuading, and Winning the Deal
- By: Oren Klaff
- Narrated by: Oren Klaff
- Length: 6 hrs and 14 mins
- Unabridged
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When it comes to delivering a pitch, Oren Klaff has unparalleled credentials. Over the past 13 years, he has used his one-of-a-kind method to raise more than $400 million - and now, for the first time, he describes his formula to help you deliver a winning pitch in any business situation. Whether you’re selling ideas to investors, pitching a client for new business, or even negotiating for a higher salary, Pitch Anything will transform the way you position your ideas. According to Klaff, creating and presenting a great pitch isn’t an art - it’s a simple science.
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Just a Teaser - No Real Content
- By Rick on 11-03-15
- Pitch Anything
- An Innovative Method for Presenting, Persuading, and Winning the Deal
- By: Oren Klaff
- Narrated by: Oren Klaff
Poor narration, good information
Reviewed: 02-21-16
This is a good book wrapped in unnecessary hyperbole. The publisher chose to allow the author to do the narration, and that was an unwise decision.
Oren Klaff doesn't have a bad voice, his issue is with cadence and tone. Every single time he gives back story to introduce a concept or scenario, he'll ramp up his cadence, then trail off at the end of sentences. It's really annoying.
The book will turn off many readers because it is a bit over the top. There's so much hyperbole and overuse of superlatives that it can be maddening. I'm also very skeptical that all of Oren's scenarios he outlined were non-fiction.
However, the core principles of the book are fantastic - and well worth sifting through the whiz-bang over the top commentary Oren's used to gift wrap the message. Frame control and power dynamics are real, whether you believe in them or not. So it's great to be armed with an understanding of them before you walk into a pitch and immediately place yourself on the losing end of the deal.
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Dark Places
- A Novel
- By: Gillian Flynn
- Narrated by: Rebecca Lowman, Cassandra Campbell, Mark Deakins, and others
- Length: 13 hrs and 44 mins
- Unabridged
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Libby Day was seven when her mother and two sisters were murdered in "The Satan Sacrifice of Kinnakee, Kansas". As her family lay dying, little Libby fled their tiny farmhouse into the freezing January snow. She lost some fingers and toes, but she survived, and famously testified that her 15-year-old brother, Ben, was the killer. Twenty-five years later, Ben sits in prison, and troubled Libby lives off the dregs of a trust created by well-wishers who've long forgotten her.
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Riveting but brutal
- By Gray on 12-09-12
- Dark Places
- A Novel
- By: Gillian Flynn
- Narrated by: Rebecca Lowman, Cassandra Campbell, Mark Deakins, Robertson Dean
Great Book, At Times Unrealistic Despair
Reviewed: 08-27-14
Any additional comments?
First of all, this was a fantastic read. Flynn is a wonderfully skilled writer and I devour her books. I enjoyed this book more than Gone Girl (though I too enjoyed Gone Girl). The plot made more sense and I felt this one had an appropriate conclusion.
The one thing I didn't love about this book was the near comical level of 'one after another' misfortunes that were foisted upon the Day family. The meat of the Patty Day sections were constantly introducing new Murphy's Law type problems that started to feel like a dark Ben Stiller movie. 3 terribly perfectly timed bad things happened yesterday? Well 6 more are going to happen today.
And while the voice acting for Patty Day's section was absolutely fantastic and absolutely what you'd expect in your mind from reading those sections - her level of defeatedness really begins to weigh on the listener, especially when paired with the myriad doomsday happenings that took place.
My other negative takeaway from the book was the language. I don't object to bad language when it is fitting, but the overuse of the F word and the many GDs seemed jarring and out of place. GD was everywhere in this book, often in places that were so misused that it took me out of the story. "Bad words" should be artfully placed for impact and weighted importance, not bandied about like a paint roller, filling spaces where modifiers aren't even necessary.
Overall this was a fantastic book that I couldn't put down. Flynn is super dark, I knew that coming in. Her skill is undeniable and I eagerly await her next non-YA title.
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