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Mrs. Hawkins, the majestic narrator of A Far Cry from Kensington, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher (“of very good books”) and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide.

Boston blueblood Charlotte Vale has led an unhappy, sheltered life. Lonely, dowdy, repressed, and pushing 40, Charlotte finds salvation at a sanitarium, where she undergoes an emotional and physical transformation. After her extreme makeover, the new Charlotte tests her mettle by embarking on a cruise and finds herself in a torrid love affair with a married man which ends at the conclusion of the voyage. But only then can the real journey begin, as Charlotte is forced to navigate a new life for herself.

Trilby opens in the Latin Quarter of Paris where Trilby O'Ferrall works as an artist's model. Her grace and ingenuous charm make a poignant contrast to the cruel magnetism of Svengali, under whose spell she falls. Using hypnotic powers, Svengali shapes her into a virtuoso singer, the toast of Europe, but her golden voice, and even her life, become fatally tied to him.

Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries—and there he dies suddenly.

The Gambler paints a stark picture of the attractions—and addictions—of gambling. Using skillful characterization, Dostoevsky faithfully depicts life among the gambling set in old Germany. This probing psychological novel explores the tangled love affairs and complicated lives of Alexey Ivanovitch, a young gambler, and Polina Alexandrovna, the woman he loves.

Slowbridge's customs have been set in stone by Lady Theobald, who has decreed that young ladies should always wear white muslin to social events and that their only decoration should be fresh flowers - which invariably wilt by the end of the evening. Enter Octavia, bedecked in yards of lace and ribbons and with a profusion of diamond jewelry. She is soon informed that only married ladies wear diamonds in England. She makes other mistakes: Young ladies do not ask men to join them on terraces; they do not invite men to play croquet on their lawns.

Lady Ludlow's appalling snobbery, prejudice and bred-in-the-bone conviction as to the superiority of the English aristocracy and their feudal way of life are deliciously tested, and found wanting, in this gently radical tale of the collapse of a social system. Elizabeth Gaskell's My Lady Ludlow is a brilliant picture of the shift in power in a rural northern village, from the velvety feudal Ludlows to the glitter of the new money rattling through the system courtesy of the brazen baker from Birmingham.

His good friend Mark Twain dubbed him "St. Andrew." British Prime Minister William Gladstone called him an "example" for the wealthy. Such terms seldom apply to multimillionaires. But Andrew Carnegie was no run-of-the-mill steel magnate. At age 13 and full of dreams, he sailed from his native Dunfermline, Scotland, to America. Here, in one volume, are two impressive works by Andrew Carnegie himself: his autobiography and The Gospel of Wealth, a groundbreaking manifesto on the duty of the wealthy to give back to society all of their fortunes.

The year is 1745, and Prince Charlie of the defeated royal house of Stuart, has just returned to Scottish soil. A weighty choice faces every Scottish man. Should he stitch a white cockade to his hat and join the fight to restore James, Prince Charlie's father to the British throne? Or should he stay at home and back George II, the reigning king? One Lowland family, the Duries of Durisdeer and Ballantrae, believe they've found a clever way to sidestep the decision.

First conceived during a rainy summer holiday in the Highlands of Scotland in an attempt to amuse his stepson, Treasure Island began with the map. Young Lloyd Osbourne had drawn a crude version of an island, and Stevenson, looking over the boy's shoulder, began to elaborate, christening various curves and smudges the famed names of Skeleton Island and Spyglass Hill and finally adding the three red crosses marking the buried treasure.