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Sam V

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Favorite HP book + just-ok production

Overall
4 out of 5 stars
Performance
3 out of 5 stars
Story
5 out of 5 stars

Reviewed: 06-24-19

This review is essentially the same as my reviews for the other Carlos Ponce audiobooks currently available.

The story is wonderful. GoF (CdF?) is my favorite book in the series (4, 6, 3, 1, 2, 7, 5 don't @ me). If you're buying this audiobook you've probably read the whole series before, so you don't need to be convinced that this book is any good, but honestly: this is Rowling working to her absolute strengths as an author. For the first time, the school-year-whodunit format of the first three books is expanded with forays into world-building and broader societal themes that don't fall apart at the slightest inspection. The plotting is honestly amazing--multiple mysteries intersecting over hundreds and hundreds of pages (or 22 hours, for the audiobook, I guess). The characters are arguably at their best. Hermione is Lawful Good without being a scold, and gets an authentic relationship arc with Krum and handling Ron's jealousy. Ron kind of sucks, because he kind of sucks in every book, but his complex over growing up poor+overlooked is well developed in the text. Harry's discovery and subsequent total mishandling of his feelings for Cho are extremely relatable. Draco Malfoy...isn't totally insufferable. (Malfoy/Crabbe/Goyle are realistic schoolyard bullies for 11 year olds, but why Harry/Ron continue to get riled with their same antics as 4th/5th-years is beyond me) One downside: this is the third book in a row where Bad Things Happen To That Big Oaf Hagrid Just To Move The Plot Along, but at least it explores wizard society while doing so.
Anyway...

I'm approaching these audiobooks as a native English speaker and learner of Spanish. As a learning aid, I 100% recommend these audiobooks--the narration+accent is clear and comprehensible. I did the same when learning German (using the absolutely amazing Rufus Beck audiobooks from Audible) and got great results.

I've marked the performance down for a couple of reasons. First, Carlos Ponce does a great job with character voices, and puts good energy into his delivery, but tends to deliver almost all dialogue the same. I mean, if there's one thing J.K. Rowling is known for as an author, it's adverbs--every single piece of dialogue comes with instructions, so to speak. But whether Filch "screamed" or Hermione "whispered" or Dumbledore said "calmly", Ponce delivers them all roughly the same.

My second problem might not lie with Ponce, but with the production: the text is barely given any time to breathe. Scene changes within chapters (something happens, then we transition to our heroes discussing it in the Common Room or whatever) receive absolutely no pause/signaling, which can be really jarring. Momentous or climactic events are not read or edited dramatically, but almost rushed through. In this book, that's...basically every challenge, plus the graveyard showdown. This might be on Ponce as the narrator, but (along with the same-y dialogue) it feels like a lack of production/preparation--like they handed Ponce the book and had him do it all in roughly one take, without allowing him to get a feel for the rhythm of the text.

This stuff might sound like nit-picking, but it's at the core of what separates good oral story-telling from great oral story-telling. Without the text in front of us, we are reliant on the narrator to give us a sense of when tension is rising or falling, and where the narrative climax falls. This isn't just for entertainment, but to actually make sense of the events as they happen. The Pottermore/Rufus Beck German editions of these books do a phenomenal job of this.

Overall, while I enjoyed this audiobook, I hope (but doubt) that the editing+delivery are improved for books 5/6/7.

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9 people found this helpful

Great story+translation, mediocre production

Overall
4 out of 5 stars
Performance
3 out of 5 stars
Story
5 out of 5 stars

Reviewed: 06-24-19

This review is essentially the same as my reviews for the other Carlos Ponce audiobooks currently available.
The story is wonderful. I have PoA among my top 3 favorites from the series (4, 6, 3, 1, 2, 7, 5 don't @ me)

I'm approaching these audiobooks as a native English speaker and learner of Spanish. As a learning aid, I 100% recommend these audiobooks--the narration+accent is clear and comprehensible. I did the same when learning German (using the absolutely amazing Rufus Beck audiobooks from Audible) and got great results.

I've marked the performance down for a couple of reasons. First, Carlos Ponce does a great job with character voices, and puts good energy into his delivery, but tends to deliver almost all dialogue the same. I mean, if there's one thing J.K. Rowling is known for as an author, it's adverbs--every single piece of dialogue comes with instructions, so to speak. But whether Filch "screamed" or Hermione "whispered" or Dumbledore said "calmly", Ponce delivers them all roughly the same.

My second problem might not lie with Ponce, but with the production: the text is barely given any time to breathe. Scene changes within chapters (something happens, then we transition to our heroes discussing it in the Common Room or whatever) receive absolutely no pause/signaling, which can be really jarring. Momentous or climactic events are not read or edited dramatically, but almost rushed through. Much of the last 90 minutes of the book (Dementor attack/Time Turner rescue) can be hard to follow because big moments and powerful lines aren't allowed time to land. This might be on Ponce as the narrator, but (along with the same-y dialogue) it feels like a lack of production/preparation--like they handed Ponce the book and had him do it all in roughly one take, without allowing him to get a feel for the rhythm of the text.

This stuff might sound like nit-picking, but it's at the core of what separates good oral story-telling from great oral story-telling. Without the text in front of us, we are reliant on the narrator to give us a sense of when tension is rising or falling, and where the narrative climax falls. This isn't just for entertainment, but to actually make sense of the events as they happen. The Pottermore/Rufus Beck German editions of these books do a phenomenal job of this.

Overall, while I enjoyed this audiobook, it could have been a lot better.
Also, tiniest nitpick, but Ponce makes Sirius sound like a goblin in this book. Weird.

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2 people found this helpful

Great story+translation, odd production

Overall
3 out of 5 stars
Performance
3 out of 5 stars
Story
4 out of 5 stars

Reviewed: 06-24-19

This review is essentially the same as my reviews for the other Carlos Ponce audiobooks currently available.
The story is great, of course. Chamber of Secrets is one of the weaker books in the series but it's still a ton of fun.

I'm approaching these audiobooks as a native English speaker and learner of Spanish. As a learning aid, I 100% recommend these audiobooks--the narration+accent is clear and comprehensible. I did the same when learning German (using the absolutely amazing Rufus Beck audiobooks from Audible) and got great results.

I've marked the performance down for a couple of reasons. First, Carlos Ponce does a great job with character voices, and puts good energy into his delivery, but tends to deliver almost all dialogue the same. I mean, if there's one thing J.K. Rowling is known for as an author, it's adverbs--every single piece of dialogue comes with instructions, so to speak. But whether Filch "screamed" or Hermione "whispered" or Dumbledore said "calmly", Ponce delivers them all roughly the same.

My second problem might not lie with Ponce, but with the production: the text is barely given any time to breathe. Scene changes within chapters (something happens, then we transition to our heroes discussing it in the Common Room or whatever) receive absolutely no pause/signaling, which can be really jarring. Momentous or climactic events are not read or edited dramatically, but almost rushed through. The entire scene in the Chamber of Secrets is very confusing for this reason. This might be on Ponce as the narrator, but (along with the same-y dialogue) it feels like a lack of production/preparation--like they handed Ponce the book and had him do it all in roughly one take, without allowing him to get a feel for the rhythm of the text.

This stuff might sound like nit-picking, but it's at the core of what separates good oral story-telling from great oral story-telling. Without the text in front of us, we are reliant on the narrator to give us a sense of when tension is rising or falling, and where the narrative climax falls. This isn't just for entertainment, but to actually make sense of the events as they happen. The Pottermore/Rufus Beck German editions of these books do a phenomenal job of this.

Overall, while I enjoyed this audiobook, it could have been a lot better. +1 for a Dobby voice that won't make you throw your heapdhones out the window.

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17 people found this helpful

Great Voice

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 11-06-17

Wonderful narration, good pacing and wonderful voice. LOTR just sounds better in German. On to the Two Towers!

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6 people found this helpful