Jean P.

A young man is found dead near a nightclub. He has marks on his neck, the signature of the Choker, a killer who has been targeting gay men across the country. Now, it seems he's in DI Clare Mackay's territory. She discovers this victim has links to notorious criminals in the area. Is it possible his death was at the hands of someone else? More men, including ones linked to the victim, are attacked and left injured. It's only a matter of time before someone else is killed. But Clare's desire for justice leaves her with blindspots which put her job—and her life—at risk.

Around one a.m. on an early spring morning, two teenage gangs are arrested after clashing violently in one of Venice’s squares. Commissario Claudia Griffoni, on duty that night, perhaps ill-advisedly walks the last of the boys home because his father, Dario Monforte, failed to pick him up at the Questura. Coincidentally, Guido Brunetti is asked by a wealthy friend of Vice-Questore Patta to vet Monforte for a job, triggering Brunetti’s memory that twenty years earlier Monforte had been publicly celebrated as the hero of a devastating bombing of the Italian military compound in Iraq.

V .I. Warshawski is famous for her cool under fire, her intelligence, her humor, her unflinching courage, and her love of good coffee. But even the strongest people sometimes need a break to recharge, so her friends send her to Kansas for a weekend of college basketball where Angela, one of her protégées, is playing. And that’s where trouble finds V.I.

A woman dies in a burglary in Fitzrovia. A man is murdered in an opium den in Limehouse. Gutsy Fleet Street reporter Penny Green suspects the two deaths are connected, but how can she prove it? The answer may lie in Whitehall where the India Office reaps the benefits of Britain's opium trade. But when Inspector James Blakely of Scotland Yard begins investigating, an unforeseen danger looms. Soon Penny is forced to act alone and is put to the ultimate test when her quest becomes personal.

Monday mornings aren’t supposed to be fun, but they should be predictable. However, on this particular Monday, Stephanie Plum knows that something is amiss when she turns up for work at Vinnie’s Bail Bonds to find that longtime office manager Connie Rosolli, who is as reliable as the tides in Atlantic City, hasn’t shown up. Stephanie’s worst fears are confirmed when she gets a call from Connie’s abductor. He says he will only release her in exchange for a mysterious coin that a recently murdered man left as collateral for his bail.

The statements before Inspector Morse appeared to confirm the bald simple truth: After leaving home to return to school, teenager Valerie Taylor had completely vanished, and the trail had gone cold - until two years, three months, and two days later, when somebody decided to supply some surprising new evidence.

In the west end of London, an apparently crazed individual is on the loose, breaking into art galleries and private homes to slash valuable paintings of women. Despite Scotland Yard's best efforts, the criminal remains at large and continues on his destructive path. When Joanna and the Watsons are called in to solve the mystery, they soon discover that although the canvases have been slashed, their backings remain pristine, with no cuts or scratches. The criminal, it seems, is no mere vandal - he's searching for something hidden behind the portraits.