We begin with a nameless young couple: a boy and a girl, teenagers in love. One day, she disappears . . . and her absence haunts him for the rest of his life. Thus begins a search for this lost love that takes the man into middle age and on a journey between the real world and an other world—a mysterious, perhaps imaginary, walled town where unicorns roam, where a Gatekeeper determines who can enter and who must remain behind, and where shadows become untethered from their selves.

野間文芸新人賞受賞作。1通の手紙から羊をめぐる冒険が始まった 消印は1978年5月――北海道発。あなたのことは今でも好きよ、という言葉を残して妻が出て行った。その後広告コピーの仕事を通して、耳専門のモデルをしている21歳の女性が新しいガール・フレンドとなった。

「すみれがぼくにとってどれほど大事な、かけがえのない存在であったかということが、あらためて理解できた。すみれは彼女にしかできないやりかたで、ぼくをこの世につなぎ止めていたのだ」　「旅の連れ」という皮肉な名を持つ孤独な人工衛星のように、誰もが皆それぞれの軌道を描き続ける。

走ることについて語りつつ、小説家としてのありよう、創作の秘密、そして「彼自身」を初めて説き明かした画期的なメモワール。

第155回（2016年）芥川龍之介賞受賞作

36歳未婚女性、古倉恵子。
大学卒業後も就職せず、コンビニのバイトは18年目。
これまで彼氏なし。
オープン当初からスマイルマート日色駅前店で働き続け、
変わりゆくメンバーを見送りながら、店長は8人目だ。
日々食べるのはコンビニ食、夢の中でもコンビニのレジを打ち、
清潔なコンビニの風景と「いらっしゃいませ！」の掛け声が、
毎日の安らかな眠りをもたらしてくれる。
仕事も家庭もある同窓生たちからどんなに不思議がられても、
完璧なマニュアルの存在するコンビニこそが、
私を世界の正常な「部品」にしてくれる――。

ある日、婚活目的の新入り男性、白羽がやってきて、
そんなコンビニ的生き方は
「恥ずかしくないのか」とつきつけられるが……。

現代の実存を問い、
正常と異常の境目がゆらぐ衝撃のリアリズム小説。

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.