
蜘蛛の糸
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Narrated by:
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遠藤 みやこ
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By:
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芥川 龍之介
About this listen
この話の材源は、ポール・ケーラスによる
『カルマ』の日本語訳『因果の小車』の中の一編であることが定説となっています。
ある日の事でございます。
御釈迦様は極楽の蓮池のふちを、独りでぶらぶら御歩きになっていらっしゃいました。
池の中に咲いている蓮の花は、みんな玉のようにまっ白で、そのまん中にある金色の蕊からは、
何とも云えない好い匂が、絶間なくあたりへ溢れて居ります。
極楽は丁度朝なのでございましょう。
やがて御釈迦様はその池のふちに御佇みになって、水の面を蔽っている蓮の葉の間から、
ふと下の容子を御覧になりました。この極楽の蓮池の下は、丁度地獄の底に当って居りますから、
水晶のような水を透き徹して、三途の河や針の山の景色が、丁度覗き眼鏡を見るように、
はっきりと見えるのでございます
芥川 龍之介
(1892年〈明治25年〉3月1日 -1927年〈昭和2年〉7月24日)
代々江戸城の茶室を管理し、将軍や大名に茶の接待をする「奥坊主」と呼ばれる職を務めた家柄に育ち、文芸や芸事への興味・関心を早くから持っていた芥川龍之介。
才気にあふれ、世話好きな性格は周りの人々を惹きつけ、たくさん悩みながらもよく笑い、よくしゃべる人だったそうです。
そんな芥川は、東京帝国大学に入学した翌年、高校の同級だった久米正雄らと共に第三次「新思潮」を創刊し、小説や翻訳を発表しました。
次いで第四次「新思潮」を創刊の際に掲載した『鼻』が夏目漱石に認められ、文壇に登ることとなりました。
その後新聞社に入社し、記者としてではなく専業作家として意欲的に執筆活動を続けました。
芥川は、漱石や森鴎外から文体や表現の影響を受けたり、キリシタンもの、江戸を舞台にしたものなど題材に応じて文体を変えたりと、意識的な小説の書き方をしていました。©2022 PanRolling
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