For more than 25 years, David Sedaris has been carving out a unique literary space, virtually creating his own genre. A Sedaris story may seem confessional, but is also highly attuned to the world outside. It opens our eyes to what is at absurd and moving about our daily existence. And it is almost impossible to listen without laughing.

When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood’s only salvation is his friendship with fellow “delinquent” Turner, which deepens despite Turner’s conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble.

If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leap­ing to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party - lots of jokes here. Plenty of laughs.

Bill Bryson was born in the middle of the American century, 1951, in the middle of the United States, Des Moines, Iowa, in the middle of the largest generation in American history, the baby boomers. As one of the best and funniest writers alive, his is perfectly positioned to mine his memories of a totally all-American childhood for 24-carat memoir gold. Like millions of his generational peers, Bill Bryson grew up with a rich fantasy life as a superhero.

In 1961, Sarah M. Broom’s mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. A book of great ambition, Sarah M. Broom’s The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America’s most mythologized cities.

Navigating poverty, violence, and instability, a young James Plummer had two guiding stars - a genius IQ and a love of science. But a bookish nerd is a soft target, and James faced years of bullying and abuse. As he struggled to survive his childhood in some of the country’s toughest urban neighborhoods in New Orleans, Houston, and LA, and later in the equally poor backwoods of Mississippi, he adopted the persona of “gangsta nerd” - dealing weed in juke joints while winning state science fairs with computer programs that model Einstein’s theory of relativity.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

Permission to Fly tells the true story of boy born into a kind and happy family who grows to realize the executive world his father inhabits may not be his destiny. Thanks to his remarkable mother, Layng is given "permission to fly" early on. Armed with optimism, curiosity, creativity, determination and a wry sense of humor, he begins his amazing journey of many painful-but-educational steps and missteps.

Born and raised in Zimbabwe, Douglas Rogers is the son of White farmers living through that country's long and tense transition from postcolonial rule. He escaped the dull future mapped out for him by his parents for one of adventure and excitement in Europe and the United States. But when Zimbabwe's President Robert Mugabe launched his violent program to reclaim White-owned land and Rogers' parents were caught in the cross fire, everything changed.

During Sarah Smarsh’s turbulent childhood in Kansas in the 1980s and 1990s, the forces of cyclical poverty and the country’s changing economic policies solidified her family’s place among the working poor. By telling the story of her life and the lives of the people she loves, Smarsh challenges us to look more closely at the class divide in our country and examine the myths about people thought to be less because they earn less.

One of America's best-known rock and entertainment journalists describes his journey from his childhood, cooped up in the "rice room" of his family's restaurant in Oakland's Chinatown, where he did chores, to the major role he played as a writer and editor at Rolling Stone. It is a story of teen worship of Elvis, but also of Chinese customs and the tragic murder of his brother, and of the '60s scene in San Francisco, where he found freedom - and his career.

In the aftermath of the Vietnam War, a young girl and her family were exiled from city-living in Saigon to the countryside of Vietnam and, ultimately, escaped to a small town in Texas. Part travelogue and part family drama, this quietly affecting immigrant memoir will make you laugh, cry, and hunger for more, all at the same time.

From the humble drone to the fittingly named worker to the queen herself - who is more a slave than a monarch - the hive world, Andrew Coté reveals, is full of strivers and slackers, givers and takers, and even some insect promiscuity (startlingly similar to the prickly human variety). Written with Coté’s trademark humor, acumen, and a healthy dose of charm, Honey and Venom illuminates the obscure culture of New York City “beeks” and the biology of the bees themselves for both casual readers and bee enthusiasts.

The wry and the heartfelt join in David Rakoff's prose to resurrect that most neglected of literary virtues: wit. As he finds himself in all the far-flung hinterlands of our culture, this fish out of water winds up satirizing himself more than his subject matter, to hilarious effect.

A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence.