Shuggie’s mother Agnes walks a wayward path: She is Shuggie’s guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good - her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor.

One night an 18-year-old Irish girl, recently arrived in London to attend drama school, meets an older man - a well-regarded actor in his own right. While she is naive and thrilled by life in the big city, he is haunted by more than a few demons, and the clamorous relationship that ensues risks undoing them both.

Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart.

Little Marek, the abused and delusional son of the village shepherd, believes his mother died giving birth to him. One of Marek’s few consola­tions is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby. For some people, Ina’s ability to receive trans­missions of sacred knowledge from the natural world is a godsend. For others, Ina’s home in the woods is a godless place.

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle and rumours start to swell, middle sister becomes "interesting" - the last thing she ever wanted to be. To be interesting is to be noticed, and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is a story of inaction with enormous consequences.

Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast. By day she teaches at a parochial school; at night she fills in at her family’s pub. There she meets Michael Agnew, a barrister who’s made a name for himself defending IRA members. Against her better judgment—Michael is not only Protestant but older and married—Cushla lets herself get drawn in by him and his sophisticated world, and an affair ignites.

Here is the story of Klara, an Artificial Friend with outstanding observational qualities, who, from her place in the store, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her. Klara and the Sun is a thrilling book that offers a look at our changing world through the eyes of an unforgettable narrator, and one that explores the fundamental question: What does it mean to love?

Of all of John Irving's books, this is the one that lends itself best to audio. In print, Owen Meany's dialogue is set in capital letters; for this production, Irving himself selected Joe Barrett to deliver Meany's difficult voice as intended. In the summer of 1953, two 11-year-old boys – best friends – are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary and terrifying.

At forty years old, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband, whose wealthy background allows her to transcend her own social class. After fifteen years together, she is still besotted with him. But she’s never quite sure that her passion is reciprocated.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Rachel is a student working at a bookstore when she meets James, and it’s love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them.

Why we think it’s a great listen: There’s no gentle way to put this – Frank McCourt’s performance of Angela’s Ashes is just better than the Pulitzer Prize-winning book. Frank McCourt shares his sometimes heartwarming, sometimes heartbreaking story of growing up poor, Irish, and Catholic in the Pulitzer Prize-winning memoir Angela's Ashes.

Welcome to the mind of Francie Brady. Just what Francie did to Mrs. Nugent is the final, terrifying act of a young boy at the end of a relentless descent into a world of scorn and fear, brought to unforgettably vivid life in this tour-de-force performance by author Patrick McCabe.

Eat Pray Love meets American Psycho in a seductive and sinister debut literary thriller. Food critic Dorothy Daniels indulges in her homicidal urges by murdering her lovers and devouring their organs in this intense, visceral, and lushly told tale of food, sex, power, and the pursuit of a very particular taste set between New York and Italy. Please Note: A Certain Hunger contains adult language and depictions of violence. Discretion is advised.

Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer's assistant, and somehow they met in Bright Lights, Big City. He's blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel but, above all, a very realistic account of what we do to each other and what we allow to have done to us.

In his debut collection of short stories, Robert Sheehan disappears into characters, challenging the complacencies of everyday experience, often from entirely unexpected angles. Informed by the author’s peripatetic life, Disappearing Act reflects on the absurdity of human behaviour. Sheehan delves deep into his characters’ streams of self-talk and self-imposed delusions, exploring the dark impulses that lurk below the shiny surfaces of many outwardly normal lives.

Mary Coles and her husband, Graham, have just moved to a cottage on the edge of a small village. The house hasn't been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It's idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.

The death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret. Unbeknown to all but his wife Millie, Joss was a woman living as a man. The discovery is most devastating for their adopted son, Colman, whose bewildered fury brings the press to the doorstep and sends his grieving mother to the sanctuary of a remote Scottish village. Winner of the Guardian Fiction Prize, Trumpet by Jackie Kay is a starkly beautiful modern classic about the lengths to which people will go for love.

How Green Was My Valley is Richard Llewellyn’s best-selling - and timeless - classic, as well as the basis of a beloved film. As Huw Morgan is about to leave home forever, he reminisces about the golden days of his youth when South Wales still prospered, when coal dust had not yet blackened the valley. Drawn simply and lovingly, with a crisp Welsh humor, Llewellyn’s characters fight, love, laugh, and cry, creating an indelible portrait of a people. Richard Llewellyn (1906–1983), a Welsh novelist, was born in Hendon, England, in the county of Middlesex.

Nanzeen's inauspicious birth in a Bangladeshi village imbues in her a sense of fatalism that she carries across continents. Married off to a man old enough to be her father, Nanzeen moves to London and cares for her family. But gradually she begins to question whether fate controls her or whether she has a hand in her own destiny. She discovers both the complexity that comes with free choice and the depth of her attachment to her husband, her daughters and her new world.

Young Esi Agyekum is the unofficial "secret keeper" of her family, as tight-lipped about her father's adultery as she is about her half-sisters' sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women's secrets and men's secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways.

Stacyann Chin has appeared on television and radio, including The Oprah Winfrey Show , CNN, and PBS, discussing issues of race and sexuality. But it is her extraordinary voice that launched her career as a performer, poet, and activist. Here, she shares her unforgettable story of triumph against all odds in this brave and fiercely candid memoir.

No one knew Staceyann's mother was pregnant until a dangerously small baby was born on the floor of her grandmother's house in Jamaica, on Christmas Day.

Eleven-year-old Philip Noble has a big problem. His dad has appeared to him as a member of the Dead Fathers Club, a club for "ghost dads" whose murders are unavenged. His father's road accident, it turns out, was no accident at all. Uncle Alan is responsible for his dad's death, and if Philip doesn't succeed in killing his uncle just before his dad's birthday, just 10 weeks away, his dad's spirit will never rest.

Novelist Sheri Reynolds weaves lyrical prose and folksy dialogue into her spellbinding tales. The Rapture of Canaan, a New York Times best-seller, is the moving story of a teenaged girl clashing with her harshly controlled world. Growing up in a closed religious community deep in the rural South, 15-year-old Ninah Huff painstakingly and obediently follows her church’s many rules—she knows that public humiliation follows the smallest transgression

From navigating the oft competing worlds of religion and desire, to balancing society’s expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward’s bone resonates to the core of what it means to be human.

In 1964, Maggie wakes to find herself in a mental asylum, with no idea who she is or how she got there. Remnants of memories swirl in her mind - a familiar song, a storm, a moment of violence. Slowly, she begins to piece together the past and the events which brought her to this point.

Real estate mogul Sean Jackson is throwing himself a splashy 50th birthday party, but trouble starts almost immediately: His ex-wife has sent his teenage daughters to the party without telling him; his current wife has fired the nanny; and he's finding it difficult to sneak away to his mistress. Then something truly terrible happens: one of his three-year-old twins goes missing. No trace of her is ever found. The attendees of the party, nicknamed the Jackson Associates by the press, become infamous overnight.

The dictionary doesn’t contain every word. Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries. One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals.

When a 70-year-old woman finds a five-year-old girl abandoned on her doorstep, she is thrust into a sorrowful past that can only be conquered with the help of the girl who opened her memory - the very girl she is trying to save. This first novel, according to author Jacquelyn Mitchard, is one of "exquisite power, honesty, and conviction...quite nearly without flaws."

When Cora and her little sister, Mimi, are sent to stay with their great-aunt in the isolated village of Bryers Guerdon, they receive a less than warm welcome and are desperate to go back to London. But Auntie Ida’s life was devastated the last time two young girls were at Guerdon Hall, and now her nieces’ arrival has reawakened an evil that has lain in wait for years. A haunting voice in an empty room; a strange, scarred man lurking in the graveyard; mysterious words scrawled on the walls of the abandoned church ... all point to a horrifying truth that has held Bryers Guerdon in its grip for centuries.