Ranita Atwater is “getting short.” She is almost done with her four-year sentence for opiate possession at Oak Hills Correctional Center. Three years sober, she is determined to stay clean and regain custody of her two children. Ranita is regaining her freedom, but she’s leaving behind her lover Maxine, who has inspired her to imagine herself and the world differently.

In a powerfully intimate and non-traditional (or "new-fashioned") memoir, Kwame Alexander shares snapshots of a man learning how to love. He takes us through stories of his parents: from being awkward newlyweds in the sticky Chicago summer of 1967, to the sometimes-confusing ways they showed their love to each other, and for him. He explores his own relationships—his difficulties as a newly wedded, 22-year-old father, and the precariousness of his early marriage working in a jazz club with his second wife.

In the early 1960s, JFK declared that science would take us to the moon. He also declared that science would make the “remote reaches of the mind accessible” and cure psychiatric illness with breakthrough medications. We were walking on the moon within the decade. But today, psychiatric cures continue to elude us—as does the mind itself. Why is it that we still don’t understand how the mind works? What is the difference between the mind and the brain? And given all that we still don’t know, how can we make insightful, transformative choices about our psychiatric conditions?

“As Albert Einstein almost certainly never said, everyone is a genius—but if you judge a fish by its ability to climb a tree, it will live its whole life believing that it is stupid.” So begins Katie Spalding’s spunky takedown of the Western canon, and how genius may not be as irrefutably great as we commonly understand. While most of us may never become Einstein, it may surprise you to learn that there’s probably a bunch of stuff you can do that Einstein couldn’t. And, as Spalding shows, the famous prodigies she explores here were quite odd by any definition.

Tracy Flick wants to be President of Winwood High. She’s one of those ambitious girls who finds time to do it all: edit the yearbook, star in the musical, sleep with her English teacher. But another teacher, staunch idealist Jim McAllister, a.k.a. “Mr. M.,” thinks the students deserve better. So he persuades Paul Warren—a well-liked, good-hearted jock—to throw in his hat. But that puts Paul’s sister Tammy in a snit. So she runs too, on an apathy platform, before starting a real campaign...to get herself kicked out of school.

In the late 1990s, Patrick O’Brian’s beloved, massively bestselling historical novel series was destined for film. With director Peter Weir and stars Russell Crowe and Paul Bettany signed on for Master and Commander: The Far Side of the World, there was only one problem: The Rose, the replica eighteenth-century warship that filmmakers bought for the production, was in Newport, Rhode Island, two oceans and thousands of miles away from Hollywood. Enter a ragtag crew of thirty oddballs and tall-ship fanatics, including author Will Sofrin.

Born the daughter of an enslaved woman and a Louisiana plantation owner, Jeannette Bébinn is raised alongside her white half sister—until her father suddenly dies. His vindictive wife refuses twelve-year-old Jeannette her inheritance and sells her into slavery. Now on her own, Jeannette must fight the injustices she faces because of her mixed race. She escapes enslavement and travels from Mississippi to Philadelphia to New York to Ohio, all while searching for purpose, love, and her place in a country torn asunder by the burgeoning Civil War.

Chesapeake Bay, 1980. Eighteen-year-old Verity Vergennes is the captain of the USS Nepenthe, and her seven younger siblings are her crew. The ship - an oyster boat transformed into a make-believe destroyer - is the heart of the Vergennes family, a place both to play and to learn responsibility. But Verity’s had it with being tied to the ship and secretly applies to a distant college. If only her parents could bear to let her go. Maeve and Arthur Vergennes already suffered one loss when, five years earlier, their eldest son, Jude, stormed out and never returned.

For centuries, scientists believed that living matter possessed a special quality—a spirit or essence—that differentiated it from nonliving matter. But by the nineteenth century, the scientific consensus was that the building blocks of one were identical to the building blocks of the other. Elixir tells the story of two young chemists who were not convinced, and how their work rewrote the boundary between life and nonlife.

When artist Dani Manchester learns she’s slowly losing her vision, she becomes unmoored. Her ex-husband died only months before, leaving Dani and her preteen daughter grief stricken. Suddenly, the life Dani built for her family on the Outer Banks feels like a painful reminder of all they’ve lost. On a whim, Dani sells her waterfront home and buys an old farm inland near the Virginia state line. But Dani’s daughter recoils at the sudden, drastic change. The Outer Banks’ sun-swept beaches, pink dawns, and savage storms are all she’s ever known.

For a moment in the 1980s, Carolyn Pfeiffer was the only woman in Hollywood who could greenlight a movie. Working with directors like Sam Shepard and Wes Craven, and with actors like River Phoenix and Bette Davis, she had a hand in producing or distributing many landmark films, among them Ridley Scott's The Duellists, Alan Rudolph's Choose Me, and the Academy Award-winning Kiss of the Spider Woman. However, long before establishing herself as a player in the world of film, Carolyn was a horseback-riding tomboy who dreamed of exploring the world beyond her small hometown.

In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian-American kids at her school in Eugene, Oregon; of struggling with her mother's particular high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.

On Death and Dying began as a theoretical book, an interdisciplinary study of our fear of death and our inevitable acceptance of it. It introduced the world to the now-famous five stages: denial, anger, bargaining, depression, and acceptance. On Grief and Grieving applies these stages to the process of grieving and weaves together theory, inspiration, and practical advice, all based on Kübler-Ross' and Kessler's professional and personal experiences.

Happiness begins with a charming courtship between hopelessly attracted opposites: Heather, a world-roaming California girl, and Brian, an intellectual, homebody writer, kind and slyly funny, but loath to leave his Upper West Side studio. Their magical interlude ends, full stop, when Heather becomes pregnant - Brian is sure he loves her, only he doesn't want kids. Heather returns to California to deliver their daughter alone, buoyed by family and friends.

In 2016, Rob Delaney’s one-year-old son, Henry, was diagnosed with a brain tumor. The family had moved from Los Angeles to London with their two young boys when Rob’s wife was pregnant with Henry, their third. The move was an adventure that would bind them even more tightly together as they navigated the novelty of London, the culture clashes, and the funhouse experience of Rob’s fame—thanks to his role as co-creator and co-star of the hit series Catastrophe. Henry’s illness was a cataclysm that changed everything about their lives.