Hallie Bancroft's forty-two-year-old life is in shambles. The universe has been dishing out lemons to her at Mach speed: laid off from her job as a theater-set designer, abandoned by her boyfriend, and saddled with an apartment she can no longer afford. When her best friend intervenes, Hallie finds herself with five others in a Cape Cod mansion so gigantic it could have its own ZIP code. There, she meets Quinn O'Neill, a dashing widowed professor in his early fifties who, much to Hallie's surprise, loves wordplay and literature as passionately as she does.

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

For fans of Megan Collins with the taut character study of Angie Kim comes a searing mystery that follows three siblings as they reckon with the darkness hidden within their family after multiple graves are discovered behind their childhood home.

April 1941: Belfast has escaped the worst of the Second World War—so far. Over the next two months, it will be so destroyed from above that people will say, in horror, “My God, Belfast is finished.” Many won’t make it through, and those who do will be forever changed. Living amid the rubble are sisters Emma and Audrey. One is engaged to be married; the other is in a secret relationship with another woman.

The newly nameless narrator of Make Sure You Die Screaming has rejected the gender binary, has flamed out with a vengeance at their corporate gig, is most likely brain damaged from a major tussle with their now ex-boyfriend, and is on a bender to end all benders. A call from their mother with the news that their MAGA-friendly, conspiracy-theorist father has gone missing launches the narrator from Chicago to deep red Arkansas in a stolen car.