It was a strong face, certainly—the eyes pale grey and very cold, the mouth was hard, the dark hair-grey-streaked now—still fell in the authentic comma over the forehead. This is how John Pearson reacted to his first encounter with the real James Bond, an encounter probably unique in the annals of thriller writing. He went on to write the bestselling authorized biography of Ian Fleming. At the time, like most of the world he assumed that James Bond was nothing more than a character in Fleming's highly charged imagination.

Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote.

In the Australian desert, a nuclear bomb explodes. There are no survivors and no clues about who has made it or detonated it. In England, two police officers are shot dead when they apprehend a cargo vessel in Portsmouth dock. Vast quantities of heroin are later found on board.

It is the 4th of May, two days before the Coronation of King Charles III and the world’s favourite spy has his work cut out for him. Bond is sent at the last minute to thwart an attempt to disrupt the Coronation by the wealthy, eccentric and self-styled Athelstan of Wessex, who is on a deadly mission of his own to teach the United Kingdom a lesson. Can Bond dismantle his shady plans and defeat his privately hired team of mercenaries?

Burt Reynolds reads three of Robert B. Parker's finest Spenser novels: Chance, Hush Money, and Small Vices.

"Who is Mr Ian Fleming, the creator of this—to put it mildly—rubbish?" The whole Bond phenomenon is attacked as pornography, capitalist filth and anti-socialist poison. Here, translated into English for the first time, you will also hear the long Russian critique of the Bond films by Maja Turovskaya published in 1966, and the extremely interesting account that appeared in Prague the following year of Sean Connery’s rise to fame. A bonus is the Bulgarian attempt to publish a novel in which Bond was killed.

David Ignatius is known for his uncanny ability, in novel after novel, to predict the next great national security headline. In Phantom Orbit, he presents a story both searing and topical, with stakes as far-reaching as outer space. It follows Ivan Volkov, a Russian student in Beijing, who discovers an unsolved puzzle in the writings of the seventeenth-century astronomer Johannes Kepler. He takes the puzzle to a senior scientist in the Chinese space program and declares his intention to solve it.

CIA Case Officer Sam Joseph is dispatched to Paris to recruit Syrian Palace official Mariam Haddad. The two fall into a forbidden relationship, which supercharges Haddad's recruitment and creates unspeakable danger when they enter Damascus to find the man responsible for the disappearance of an American spy. But the cat-and-mouse chase for the killer soon leads to a trail of high-profile assassinations and the discovery of a dark secret at the heart of the Syrian regime.

On 16 August 1952, Ian Fleming wrote to his wife, Ann, 'My love, This is only a tiny letter to try out my new typewriter and to see if it will write golden words since it is made of gold'. And he did write golden words: 14 best-selling James Bond books, and an equally energetic flow of letters to his wife, publisher, editors, fans, friends and critics, charting 007's progress....

The final frontier erupts into chaos as vast quantities of a rare energy source are discovered beneath the surface of Baldur-3, a remote planet beyond the outer fringes of Federation space. Now, an old-fashioned “gold rush” is underway as a flood of would-be prospectors, from countless worlds and species, races toward the planet to stake their claim. Captain James T. Kirk and the crew of the Starship Enterprise are dispatched to deal with the escalating crisis...which lies on the other side of a famously perilous region of space known as the Antares Maelstrom.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.