A Week on the Concord and Merrimack Rivers
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Narrated by:
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Jim Killavey
About this listen
Very similar in style to Walden, and in fact written while he stayed at Walden Pond, this account chronicles Throeau's 1830 boat trip. In it, he weaves together travel writing, essays on religion, history, and lyrical poetry, as well as his own unique philosophy.
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Voice actor Jim Killavey gives a melodious performance of A Week on the Concord and Merrimack Rivers, American writer and philosopher Henry David Thoreau’s first published book. His rich voice complements the expansive nature of the text, which is rife with symbolism and surprising in its structure. Thoreau’s narrative is an account of an excursion he took with his elder brother John in 1839. The pair travelled by boat and on foot, journeying from Concord, Massachusetts, to New Hampshire. The book is a moving memorial tribute to John, who died in 1842.
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Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.
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It’s not Emily Dickinson’s Fault
- By Mary Beth Hammond on 04-04-21
By: Emily Dickinson
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My First Summer in the Sierra
- By: John Muir
- Narrated by: Brett Barry
- Length: 6 hrs
- Unabridged
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It was June of 1869 when John Muir reluctantly accepted a job herding sheep from the central valley of California to the headwaters of the Merced and Tuolumne Rivers, high into the Sierra Nevadas and deep into the Yosemite region. He felt ill equipped for the work, and yet the opportunity thrilled his adventurous spirit. With a notebook tied to his belt, he set out for a summer he would never forget. My First Summer in the Sierra is Muir’s classic account of that extraordinary journey.
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Almost every line is quotable
- By Kacy on 08-30-13
By: John Muir
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The Courtship of Miles Standish
- By: Henry Wadsworth Longfellow
- Narrated by: B. J. Harrison
- Length: 1 hr and 26 mins
- Unabridged
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Complete and unabridged, and read with meticulous care, in this story Miles Standish and John Alden both seek the hand of the fair Priscilla. See the Mayflower abandon the first settlers as it returns to England. Feel the heated vision of the Indians, perpetually keeping their watch in the dark forest. Love and adventure collide in one of Longfellow's most famous works
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Longfellow's poem
- By Jan on 12-04-12
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Phantastes
- A Faerie Romance for Men and Women
- By: George MacDonald
- Narrated by: Rebecca K. Reynolds
- Length: 7 hrs and 7 mins
- Unabridged
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The classic fantasy that influenced C. S. Lewis and Tolkien, considered one of George MacDonald's most important works, is the story of the young man, Anodos, and his adventures in fairyland which ultimately reveal the human condition. "I write, not for children," wrote George MacDonald, "but for the child-like, whether they be of five, or 50, or 75." All-at-once written with an innocent whimsy and soulful yearning, the heart of Anodos' journey through fairyland reveals a spiritual quest that requires a surrender of the self.
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Finally
- By Aaron Elrod on 04-12-21
By: George MacDonald
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Spoon River Anthology
- By: Edgar Lee Masters
- Narrated by: Patrick Fraley, Edward Asner
- Length: 4 hrs and 24 mins
- Unabridged
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From a cemetery in a mythical small town in Illinois, the dead speak about their lives. Each free-verse monologue stands as an epitaph for the person speaking, yet the play is ultimately about life, not death. Featuring 50 performers with specially commissioned original music, this is the only audio version of this landmark classic available.
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Magnificent American poetry
- By Admiral Pike on 04-14-05
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Evangeline
- By: Henry Wadsworth Longfellow
- Narrated by: Leonard Wilson
- Length: 2 hrs
- Unabridged
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"Evangeline: A Tale of Acadie" is an epic poem by the American poet Henry Wadsworth Longfellow, published in 1847. The poem follows an Acadian girl named Evangeline and her search for her lost love Gabriel, set during the time of the expulsion of the Acadians. The idea for the poem came from Longfellow's friend, Nathaniel Hawthorne. Longfellow used dactylic hexameter, imitated from Greek and Latin classics, though the choice was criticized.
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Excellent
- By Anonymous User on 05-23-23
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The Innocents Abroad
- Or, The New Pilgrim’s Progress
- By: Mark Twain
- Narrated by: Grover Gardner
- Length: 18 hrs and 13 mins
- Unabridged
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In June 1867, Mark Twain set out for Europe and the Holy Land on the paddle steamer Quaker City. His enduring, no-nonsense guide for the first-time traveler also served as an antidote to the insufferably romantic travel books of the period.
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Twain's Hidden Gem
- By Cynthia Franks on 05-08-12
By: Mark Twain
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Five Weeks in a Balloon
- By: Jules Verne, Frederick Paul Walter - translator
- Narrated by: Graham Scott
- Length: 9 hrs and 51 mins
- Unabridged
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Initially published in 1863, Five Weeks in a Balloon was the first novel in what would become the author's Extraordinary Voyages series. It tells the tale of a 4,000-mile balloon trip over the mysterious continent of Africa, a trip that wouldn't actually take place until well into the next century. Fusing adventure, comedy, and science fiction, Five Weeks has all the key ingredients of classic Verne: sly humor and cheeky characters, an innovative scientific invention, a tangled plot that's full of suspense and surprise, and visions of an unknown realm.
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A grand adventure
- By Tad Davis on 01-19-20
By: Jules Verne, and others
What listeners say about A Week on the Concord and Merrimack Rivers
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Sandinic
- 08-13-09
powerful book and good reading
I have trouble understanding why people download a long book and then blast ( often unfairly as in this case ) the narrator. Samples are provided so you know what you are getting. I like to judge for myself so listened to the sample in spite of a review that had such a "blast."
I liked the sound and got the book. Moral of the story...You would not buy a car without taking a test drive. Don't get a book without listening to the sample and trust your own ears.
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23 people found this helpful
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Overall
- Empowerment
- 08-16-09
Thoughtful book
This is very much like WALDEN. If you want a fast paced advice book...forget it. This meanders, much like WALDEN, and switches from mundane to profound again and again. A book to savor, not to rush through. Unlike another reader, I had no problem with the reader..he was laid back but that's the kind of book it is. Sound quality was fine at 4.
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19 people found this helpful
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- Roy Scarbrough
- 05-17-16
Great book. Awful reading.
I would advise listening to the sample a couple time so you can decide where or not you can listen to this recording. I listened to the sample once, and I thought, 'Well, maybe it will grow on me. Give the guy a chance." Well, it didn't grow on me. The narrator of this recording seems to be clueless to the patterns, cadences of Thoreau's gorgeous prose.To my ear this reading is so bad that I'm not sure if I will ever finish this book. He pauses within sentences where he shouldn't, and rushes though phrases where he needs to slow down. He emphasizes unimportant words, and over emphasizes others, all very arbitrarily. The voice subordinates where it should coordinate, and vice versa. It seems, at times, that he is reading one...word...at...a...time. Many of Thoreau's sentences are long and flowing, but the reader seems to not be able to go with the natural flow of human speech. He can't make it though these kinds of sentences in a manner in which the listener can have any sense that he is at the beginning, middle or end of the sentence. You're listening along, and you might be ten words into the next sentence before you realize the last sentence has already ended. Or there's a weird pause and you're trying to figure out if it's the end, and then it just picks up and chugs along like rail cars rolling down a grade, unhitched from the locomotive. It's maddening.
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Overall
- Molly M
- 08-12-09
Truly Awful Reader!
I only decided that the reader of "Concord & Merrimack" was not a robot when I listened to his reading of Walden, which is slightly better. Every syllable the same pitch, same tone, same volume, same tempo -- except when a word is apparently unfamiliar when it's sounded out with long pauses between syllables. If indeed the reader is a flesh and blood human it's obvious he has less than no interest in what he's reading.
In addition, the sound quality of the supposedly high-quality file format I chose is execrable. Obviously exported from the lowest possible quality Mp3 or other lossy format.
A horrible experience and one I hope not to repeat!
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4 people found this helpful