A divorce decree is made null and void by murder. Stacie Maroni, HR specialist and trauma counselor, isn't prepared for the murder of her estranged husband. His death and custody of their Maltese, Jasper, barely sink in and someone is after her. Her in-laws and her husband’s law firm strive to keep up the pretense that all is above reproach and idyllic. As she goes through her husband’s effects, Stacie discovers possible motives for his murder. Unfortunately, neither she nor the police know why someone is after her.

When Izzie Di Sante’s dream career as an investigative reporter hit a roadblock, she traded her press pass for an apron and returned home to manage the family restaurant. However, some things are impossible for Izzie to ignore. Like when the details surrounding the death of a long-time acquaintance don’t add up. She tells herself it’s her overactive imagination. Except the police report and circumstances reawaken the itch to uncover the truth—or in this case, the killer. Can she solve the case and follow her dream while managing her family restaurant?

One year ago, Marta Hughes won a purse-choking sum of money at a local casino. She never returned home. Her body was discovered in a ditch 12 miles from her home; her car was back in her driveway. Linnet Isherwood cannot let her friend's unsolved murder rest. She convinces ex-cop Michael McLaren to return to the work he loves. He sifts through a confusing web of lies, misconceptions, and veiled motives.

It was supposed to be a holiday to fix the cracks in our fractured family. I knew the seven days would be endless, but I never imagined that one of us would only survive for six of them… As I carry my case into the charming and rustic cottage and smile at my sister-in-law, Kelli, I allow myself a moment of hope. Perhaps this holiday will force our family to address our long-held grudges and leave with the promise of a happier future.

When Franki Amato leaves her cheating ex and erratic job as a rookie cop in Austin, Texas, she hopes for a quieter existence at her best friend Veronica’s New Orleans PI firm, Private Chicks. But life in The Big Easy is anything but quiet. Or easy. Her furnished apartment resembles an old French brothel, and her aging ex-stripper landlady has some rather odd policies.

Dying to Go (Nothing to Gush About) Thirty-nine-year-old Rosi Laruee—named Rosisophia Doroche after her mother’s beloved Golden Girls—decides that the end of her twenty-year marriage and her dad’s impending knee replacement surgery are all the excuses she needs to visit Tucson Valley Retirement Community. But the drama follows Rosi when she finds the body of local tart and business owner, Salem Mansfield.

When you’re 11 years old, it’s tough convincing people to take you seriously. When you’re an 11-year-old savant, It’s exponentially more difficult. Since Jake’s inability to connect with others had made him somewhat of an outcast for most of his life, he’d learned to divert his energy into his artistic talent, creating mesmerizing images capable of literally paralyzing anyone who should gaze upon them.

Lanie Anders has a perfectly ordered life. From her half-foam morning latte to her high-powered executive job—she controls every outcome. But when her house burns to the ground in mysterious circumstances, her life is thrown into confusion. Searching for some kind of purpose, she stumbles across a century-old mystery and flees to Piney Falls, Oregon, an oceanside hamlet with a curious past. But something isn’t quite right in the picturesque town. Her neighbor speaks in riddles, the death rate is alarmingly high, and the impossibly handsome town baker is hiding something.

Following seventy thousand years of undisturbed slumber, the vessel of a planetary empire that had followed its own predetermined path to destruction eons earlier had finally reawakened, bringing with her the potential to change everything. Embodying all that was benevolent and beautiful from innumerable long-forgotten cultures, this lifeform in suspended animation also possessed the power necessary to prevent her gifts from being corrupted by those who will eternally thirst for dominion over others.

Holly Miller's life has gone to the dogs. She has no job, her boyfriend's former flame is sniffing around, and a scruffy but lovable Jack Russell terrier is scattering crumbs all over her borrowed car. Just when she thought things couldn't get worse, a troubling phone call about her grandmother sends her rushing home to the family inn on Wagtail Mountain.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.