Wolf Hadda's life was a fairytale - successful businessman and adored husband. But a knock on the door one morning ends it all. Universally reviled, thrown into prison, Wolf retreats into silence. Seven years later Wolf begins to talk to the prison psychiatrist and receives parole to return home. But there's a mysterious period in Wolf's past when he was known as the Woodcutter. Now the Woodcutter is back, looking for truth and revenge...

The memory of her late husband's slow and painful death is fresh in Anita Stratton's mind when she finds herself confronted with the high-voltage glare of national publicity when her first novel rockets into the best-seller lists. The furor she arouses leaves her publishers, the staid and respectable firm of Beetham Brothers, as bewildered as she herself is.

There was no money, the family was scattered, and Lucille, who had mothered them all since she was 16, was going to be married. So the house must be sold; Lucille knew that was the only sensible things to do, but the family had other ideas. Home they came by whatever way they could, penniless and bedraggled but with certain newfound friends who were to help them to upset Lucille's plans - all her plans for a calm, settled, and sensible life.

Le Carre's Panama is a Casablanca without heroes, a hotbed of drugs, laundered money and corruption. It is also the country which on December 31, 1999, will gain full control of the Panama Canal.

Three men meet on a ship bound for Haiti, where corruption and terror reign. Disillusioned and noncommittal, they are the “comedians” of Greene’s title, hiding from life’s pain and love behind their chosen masks.

Edmund Forth, a handsome young man in his mid-30s (though admittedly, a bit stogy and sober for his years) is engaged to the beautiful but selfish Angela Wilde. His world seems perfect until lovely Fran Nash comes riding into his life on the back of a Portuguese donkey. Fran’s sunny personality melts Edmund’s reserve, and when she changes a few words of a telegram he had entrusted to her, Fran also alters the whole course of his settled existence.

As Egypt comes closer and closer to developing a nuclear bomb, the Mossad’s number one Israeli agent is given an impossible mission: to beat the Arabs in the nuclear arms race by finding and stealing two hundred tons of uranium. The world’s balance of power will shift. And the Mossad, the KGB, the Egyptians, and Fedayeen terrorists will play out the final, violent moves in this devastating game where the price of failure is a nuclear holocaust....

Reykjavik, August 1941. When a travelling sales rep is found murdered in a Reykjavik flat, killed by a bullet from a Colt 45, the police initially suspect a member of the Allied occupation force. The British are in the process of handing over to the Americans, and the streets of Reykjavik are crawling with servicemen whose relations with the local women are a major cause for concern. Flovent, Reykjavik's sole detective, is joined by the young military policeman Thorson, the son of Icelandic emigrants to Canada.

In the aftermath of the Great War and a devastating family tragedy, Laurence Bartram has turned his back on the world. But with a well-timed letter, an old flame manages to draw him back in. Mary Emmett's brother John - like Laurence, an officer during the war - has apparently killed himself while in the care of a remote veterans' hospital, and Mary needs to know why. What connects a group of war poets, a feud within Emmett's regiment, and a hidden love affair? Was Emmett's death really a suicide or the missing piece in a series of murders?

In the words of Alexander McCall Smith: "You feel the rocking of the train, you hear the sound of its wheels on the rails; you are in the world rather than suspended somewhere above it. And sometimes there are conversations to be had, which is what the overarching story in this collection is all about. It is a simple device: people brought together entertain one another with tales of what happened to them on trains. It takes place on a journey I frequently make myself and know well, the journey between Edinburgh and London. It is best read on a train, preferably that one."

In 1914, Britain faces a new kind of war. For Edward and Beatrice Hunter, their children, servants and neighbours, life will never be the same again. For David, the eldest, war means a chance to do something noble; but enlisting will break his mother's heart. His sister Diana, nineteen and beautiful, longs for marriage. She has her heart set on Charles Wroughton, son of Earl Wroughton, but Charles will never be allowed to marry a banker's daughter.

From best seller to death-dealer, London's Plumtree Press has a world-class best seller of a novel. And the sequel is earmarked to get this old family firm out of the red. But its anonymous author, known to Plumtree only as "Arthur", has apparently vanished, leaving the crucial last five chapters undelivered. Alex already knows they reveal the identity of the characters who smuggled British children to America during World War II. But, of course, this is fiction. So when a lead critic previews the book as a nonfiction exposé, Alex is shocked.

In his most dazzling novel since the groundbreaking New York Times bestseller An Instance of the Fingerpost, Iain Pears tells the story of John Stone, financier and arms dealer, a man so wealthy that in the years before World War One he was able to manipulate markets, industries, and indeed entire countries and continents.

This is a love story of great beauty and great tenderness, the kind of love story that entangles the listener in the lives of the characters, so that after the story is over, one continues to live with those characters. And fortunately, the listener will not have to say farewell to these characters, since it is the first in a series that will tell the story of three Californian families over the course of the 20th century.

By 1939, Anglo-American journalist John Russell has spent over a decade in Berlin, where his son lives with his mother. He writes human-interest pieces for British and American papers, avoiding the investigative journalism that could get him deported. But as World War II approaches, he faces having to leave his son as well as his girlfriend of several years, a beautiful German starlet. When an acquaintance from his old communist days approaches him to do some work for the Soviets, Russell is reluctant, but he is unable to resist the offer.