A sequel to Michael Walsh’s Last Stands, his new book A Rage to Conquer is a journey through the twelve of the most important battles in Western history. As Walsh sees it, war is an important facet of every culture—and, for better or worse, our world is unthinkable without it. War has been an essential part of the human condition throughout history, the principal agent of societal change, waged by men on behalf of, and in pursuit of, their gods, women, riches, power, and the sheer joy of combat.

In June 2020, prominent business and political leaders gathered for the fiftieth annual meeting of the World Economic Forum in Switzerland, under the rubric of "The Great Reset." In the words of WEF founder Klaus Schwab, the Great Reset is a "unique window of opportunity" afforded by the worldwide COVID-19 panic to build "a new social contract" ushering in a utopian era of economic, social, and environmental justice. But beneath their lofty and inspiring words, what are their actual plans?

What is heroism? What are its moral components - altruism, love, self-sacrifice? Why was it once celebrated, and now often dismissed as anachronistic? In this dramatic and readable account of last stands in history - famous or otherwise - Walsh explores the stakes that led men at very different times and places to face overwhelming odds and certain death for the sake of family, home and country.

For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, Who’s Afraid of Opera? offers a lively, easy-to-follow guide to what author Michael Walsh describes as “the greatest art form yet invented by humankind.” From opera’s origins in Renaissance Italy to the Who’s rock odyssey “Tommy”, and Stephen Sondheim’s “Into the Woods”, Walsh explores what opera is and what it’s not, what makes a great singer, and why it takes Tristan so long to die.

The Trojan War is ancient history. The gods of Olympus are silent and have not appeared to mortals for generations. In the city-state of Sparta, young Gorgo’s mother gives a warning with her dying breath: the Persians are coming. The princess Gorgo, weaned on her nurse’s stories of gods and shapeshifters, never forgets her mother’s last words. When at last the drums of war begin to sound, she is swept up in a dangerous game of politics, treachery, and vengeance.