Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

In a post-apocalyptic America, range rider Deaver Teague is trying to get to the town of Moab to replace his dead horse. Along the way, he's picked up by the Aal family’s pageant wagon. When Deaver decides to help them set up their next show, he becomes embroiled in a family crisis.

This story is included in Orson Scott Card's collection The Folk of the Fringe.

In a post-apocalyptic America, Jamie Teague helps a group of travelers make their way past the murderous Bushwhackers. Jamie comes to find that the strangers are Mormons headed for Utah to avoid being massacred. Knowing that they will die without his help, he agrees to take them as far as his cabin.

This story is included in Orson Scott Card's collection The Folk of the Fringe.

In a post-apocalyptic America, Deaver Teague makes a living salvaging things left behind from before the war. When he hears some truck drivers talking about a hidden cache of gold in a Mormon temple in flooded Salt Lake City, he enlists some friends to look for it.

This story is included in Orson Scott Card's collection The Folk of the Fringe.

In a postapocalyptic America, Timothy Carpenter is a teacher in a farming community. When he discovers the farm foreman and other men are stealing food, he reports them to the authorities - an action that could cost him his life.

Laz is a side-stepper: a teen with the incredible power to jump his consciousness to alternate versions of himself in parallel worlds. All his life, there was no mistake that a little side-stepping couldn’t fix. Until Laz wakes up one day in a cloning facility on a seemingly abandoned Earth. Laz finds himself surrounded by hundreds of other clones, all dead, and quickly realizes that he too must be a clone of his original self.

Is it space travel that children dream of, or merely visiting other worlds? Todd had always set his heart on being an astronaut, but when he meets an alien and travels to another world, he doesn't use a spaceship; he just hangs out in his own back yard.

On the Ark, a colonyship bound outward across the stars, not everyone is a volunteer - or even human. Lovelock is a capuchin monkey engineered from conception to be the perfect servant: intelligent, agile, and devoted to his owner. He is a "witness", privileged to spend his days and nights recording the life of one of Earth’s most brilliant scientists via digital devices implanted behind his eyes. But Lovelock is something special among witnesses. He’s a little smarter than most humans: smart enough to break through some of his conditioning, smart enough to feel the bonds of slavery - and want freedom.

In a not-too-distant future that is not quite ours, there has been a major scientific breakthrough. It is a way to open windows into the past, permitting historical researchers to view, but not participate, in the events of the past.

In one of the most powerful and thought-provoking novels of his remarkable career, Orson Scott Card interweaves a compelling portrait of Christopher Columbus with the story of a future scientist who believes she can alter human history from a tragedy of bloodshed and brutality to a world filled with hope and healing.

George Galen is a brilliant scientist, a pioneer in gene therapy. But Galen is dangerously insane. He has created a method to alter human DNA, not just to heal diseases, but also to "improve" people - make them stronger, make them able to heal more quickly...and make them compliant to his will.

Kidnapped at an early age, Ansset has been raised in isolation at a mystical retreat called the Songhouse. His life is filled with music, and having only songs for companions, he develops a voice that is unlike any other. But Ansset's voice is both a blessing and a curse, for it reflects all the hopes and fears of his audience, and, by magnifying their emotions, can be used either to heal or to destroy.

Only a few nuclear weapons fell. But in the chaos of famine and plague, there existed a few pockets of order. The strongest of them was the state of Deseret. The climate has changed, and the lake has filled up. There, on the fringes, brave, hardworking pioneers are making the desert bloom again.

We all know Shakespeare’s classic ghost story—the young prince Hamlet’s dead father appears to him, demanding vengeance upon Hamlet’s uncle Claudius, who has usurped the throne and, to add insult to injury, married Hamlet’s mother.

Science fiction is rare in theatrical form, but with Posing As People, three unforgettable sci-fi stories by Orson Scott Card are adapted into powerful stage plays by three different writers.

Born into an alternative frontier America where life is hard, and folk magic is real, Alvin is gifted with power, but he must learn to use his gift wisely. Dark forces are arrayed against Alvin, and only a young girl with second sight can protect him.

Ryan wakes up to find his contractor dad building walls to turn their big old house into a duplex. The family that moves into the other side includes Bizzy Horvat, the pretty girl he has a crush on at school. Bizzy claims her mother is a witch with the power to curse people with clumsiness or, in Bizzy’s case, astonishing beauty. When a bee gets caught in Bizzy’s hair, Ryan acts so quickly and radically to save her from getting stung that he attracts the attention of a group of micropotents - people with micropowers.