Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

In a post-apocalyptic America, range rider Deaver Teague is trying to get to the town of Moab to replace his dead horse. Along the way, he's picked up by the Aal family’s pageant wagon. When Deaver decides to help them set up their next show, he becomes embroiled in a family crisis.

This story is included in Orson Scott Card's collection The Folk of the Fringe.

In a post-apocalyptic America, Jamie Teague helps a group of travelers make their way past the murderous Bushwhackers. Jamie comes to find that the strangers are Mormons headed for Utah to avoid being massacred. Knowing that they will die without his help, he agrees to take them as far as his cabin.

This story is included in Orson Scott Card's collection The Folk of the Fringe.

In a postapocalyptic America, Timothy Carpenter is a teacher in a farming community. When he discovers the farm foreman and other men are stealing food, he reports them to the authorities - an action that could cost him his life.

In a post-apocalyptic America, Deaver Teague makes a living salvaging things left behind from before the war. When he hears some truck drivers talking about a hidden cache of gold in a Mormon temple in flooded Salt Lake City, he enlists some friends to look for it.

This story is included in Orson Scott Card's collection The Folk of the Fringe.

Twenty five years ago, the alien Givers came to Earth and bestowed upon the human race the greatest technology ever seen—four giant towers known as Ladders that rise 36,000 miles and culminate in space stations that power the entire planet. Then, for reasons unknown, the Givers disappeared.

On the Ark, a colonyship bound outward across the stars, not everyone is a volunteer - or even human. Lovelock is a capuchin monkey engineered from conception to be the perfect servant: intelligent, agile, and devoted to his owner. He is a "witness", privileged to spend his days and nights recording the life of one of Earth’s most brilliant scientists via digital devices implanted behind his eyes. But Lovelock is something special among witnesses. He’s a little smarter than most humans: smart enough to break through some of his conditioning, smart enough to feel the bonds of slavery - and want freedom.

Is it space travel that children dream of, or merely visiting other worlds? Todd had always set his heart on being an astronaut, but when he meets an alien and travels to another world, he doesn't use a spaceship; he just hangs out in his own back yard.

Science fiction is rare in theatrical form, but with Posing As People, three unforgettable sci-fi stories by Orson Scott Card are adapted into powerful stage plays by three different writers.

alaxy. Humanity was slowly making their way out from Earth to the planets and asteroids of the Solar System, exploring and mining and founding colonies. The mining ship El Cavador is far out from Earth, in the deeps of the Kuiper Belt, beyond Pluto. Other mining ships, and the families that live on them, are few and far between this far out. So when El Cavador's telescopes pick up a fast-moving object coming in-system, it's hard to know what to make of it. It's massive and moving at a significant fraction of the speed of light.

Ryan wakes up to find his contractor dad building walls to turn their big old house into a duplex. The family that moves into the other side includes Bizzy Horvat, the pretty girl he has a crush on at school. Bizzy claims her mother is a witch with the power to curse people with clumsiness or, in Bizzy’s case, astonishing beauty. When a bee gets caught in Bizzy’s hair, Ryan acts so quickly and radically to save her from getting stung that he attracts the attention of a group of micropotents - people with micropowers.