Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Quinn sat straight up in bed. “Annie McClery has been murdered.” She said the words out loud. She tells herself it was just a dream, but then she gets a call from Dermot Brennan, the local Garda. He’s calling to say they just found the old doll maker, Annie McClery, dead in her cottage. He’s sure she died from natural causes. After all, she was ninety-six years old. But Quinn can’t shake off her dream. Did Annie die of natural causes, or was she murdered? But what would be the motive? Quinn visits Annie’s cottage and discovers a drawer full of old journals. The journals reveal ...

Quinn and Fiona have settled into their new life on Raven Hill Farm in West Cork. They have great friends and a menagerie of animals. Quinn volunteers at the local mental health clinic, while Fiona has her greenhouse and plants to keep her busy. Their lives are turned upside down when Owen Gilpatrick, the farm’s previous owner, is found dead in their barn, the victim of an apparent murder. What’s just as shocking is the DNA results that show Quinn to be Owen’s great-niece. Quinn can’t wrap her head around how she managed to buy her family’s ancestral home without even knowing it. ...

Quinn feels obligated to attend a party given by Agnes Meek, one of her former patients at the mental health clinic. Agnes has always been troubled. Winning the lottery a few years ago only seemed to add to her problems. Now, she has a new man in her life that she’s anxious for Quinn to meet. Quinn meets the younger and very attractive boyfriend and feels he’s only after Agnes’ money. When he turns up dead the day after the party, Agnes is the main suspect. Quinn doesn’t believe Agnes is capable of murder, but why does Agnes seem to be slowly losing her grip on reality? Quinn and ...

Quinn is in the middle of a midlife crisis. Forty-six, divorced, and having recently walked away from her practice as a psychologist, she fears her best years are behind her. Fiona, Quinn's best friend since childhood, has a plan to get her out of her rut — a trip to Ireland! Quinn loves everything about Ireland: the people, the culture, the scenery and especially a little town called Ballyfrannen. On a whim, she decides to move there, and Fiona is eager to do the same. At first, things seem to be working out perfectly. They find a charming little stone cottage to buy and set about ...

Quinn and her close-knit circle of friends are thrust into yet another murder investigation in the quaint little town of Ballyfrannen. When a young woman meets a tragic end, Quinn relies on her inherited gift of second sight, passed down from her ancestor, Abria. Luckily, the local Garda, Dermot Brennen, believes in Quinn’s gift and will use her information to help solve the murder. Determined to uncover the truth, Quinn embarks on a quest to find the killer. As the investigation unfolds, Quinn delves into the world of extreme wealth and the darkest facets of human behavior, where secrets...