A widely acclaimed international best seller, I'm Not Scared combines a coming-of-age narrative with a satisfying and spine-tingling story of suspense. A sweltering heat wave hits a tiny village in Southern Italy, sending the adults to seek shelter, while their children bicycle freely throughout the countryside, playing games and getting into trouble. When the gang find a dilapidated farmhouse, nine-year-old Michele Amitrano makes a discovery so momentous he dare not tell a soul.

There came an elastic aftershock of creaks and groans and then, softly softly, a chinking shower of rubbled cement. Leaves calmed and trunks stood serene. Where, not a minute before, there had been a suburb, there was now only woodland standing amid ruins. There is no warning. No chance to prepare. They arrive in the night: thundering up through the ground, transforming streets and towns into shadowy forest. Buildings are destroyed.

It is the summer of 2011, and Nour has just lost her father to cancer. Her mother, a cartographer who creates unusual, hand-painted maps, decides to move Nour and her sisters from New York City back to Syria to be closer to their family. But the country Nour's mother once knew is changing, and it isn't long before protests and shelling threaten their quiet Homs neighborhood. More than 800 years earlier, Rawiya, 16 and a widow's daughter, knows she must do something to help her impoverished mother. Restless and longing to see the world, she leaves home to seek her fortune.

When an infected bolt of cloth carries plague from London to an isolated village, a housemaid named Anna Frith emerges as an unlikely heroine and healer. Through Anna's eyes we follow the story of the fateful year of 1666, as she and her fellow villagers confront the spread of disease and superstition. As death reaches into every household and villagers turn from prayers to murderous witch-hunting, Anna must find the strength to confront the disintegration of her community and the lure of illicit love.

For the '70s child, summer holidays didn't mean the joy of CentreParcs or the sophistication of a Tuscan villa. They meant being crammed into a car with Grandma and heading to the coast. With just a tent for a home and a bucket for the necessities, we would set off on new adventures each year stoically resolving to enjoy ourselves. For Emma Kennedy, and her mum and dad, disaster always came along for the ride no matter where they went.

Edgar Hill is 35 and caught in his own headlock. Overweight slob, underperforming husband, and reluctant father - for Ed, the world may as well have already ended. So when it does end in a catastrophic asteroid strike and Edgar and his family find refuge in an Edinburgh army barracks, it comes as something of a relief. But nothing's ever that simple. Returning from a salvage run in the city, Edgar finds his family gone, taken to the south coast for evacuation by an international task force.

Struggling with working-mother guilt, Marlene Greene hopes a camping trip in the forest will provide quality time with her three young children - until they see fires in the distance, columns of smoke distorting the sweeping view. Overnight, all communication with the outside world is lost. Knowing something terrible has happened, Marlene suspects that the isolation of the remote campsite is all that's protecting her family. But the arrival of a lost boy reveals they are not alone in the woods, and as the unfolding disaster ravages the land, more youngsters seek refuge under her wing.

When Cora and her little sister, Mimi, are sent to stay with their great-aunt in the isolated village of Bryers Guerdon, they receive a less than warm welcome and are desperate to go back to London. But Auntie Ida’s life was devastated the last time two young girls were at Guerdon Hall, and now her nieces’ arrival has reawakened an evil that has lain in wait for years. A haunting voice in an empty room; a strange, scarred man lurking in the graveyard; mysterious words scrawled on the walls of the abandoned church ... all point to a horrifying truth that has held Bryers Guerdon in its grip for centuries.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

With the redolent atmosphere of Ian Rankin and the spine-chilling characters of Thomas Harris, Mo Hayder's The Devil of Nanking, takes the reader on an electrifying literary ride from the palatial apartments of yakuza kingpins to deep inside the secret history of one of the twentieth century's most brutal events: the Nanking Massacre.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

1976: Peggy Hillcoat is eight. She spends her summer camping with her father, playing her beloved record of The Railway Children, and listening to her mother's grand piano, but her pretty life is about to change. Her survivalist father, who has been stockpiling provisions for the end, which is surely coming soon, takes her from London to a cabin in a remote European forest. There he tells Peggy the rest of the world has disappeared.

Hyacinth Smith can see things that others miss, stop attack dogs from attacking, and grow trees where no trees have grown before. But she's never had a real home. When her father tells them they've inherited a house from their great-aunt, Hyacinth sees trouble brewing. Their great-aunt has been playing with forces beyond her control, using her lightning-tree forest to create doors to other worlds. When one door opens, two boys tumble through...bringing with them a battle with the undying witch-queen, Nimiane.

The Feed is accessible everywhere, by everyone, at any time. It instantaneously links us to all information and global events. Tom and Kate use the Feed, but Tom has resisted its addiction. The Feed's collapse, taking modern society with it, leaves people scavenging to survive. Tom and Kate have managed to protect themselves and their family. But then their six-year-old daughter, Bea, goes missing. Who has taken her? How do you begin to look for someone in a world without technology?

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.