From beyond the grave came a cry for help she could not ignore. Reminiscent in style to Harper Lee's To Kill a Mockingbird and to Betty Smith's A Tree Grows in Brooklyn, Veronica's Grave is the story of a young girl whose mother vanishes one night. No one tells her that her mother has died. She is left a confused child whose father is intent upon erasing any memory of the mother.

Jeannette Walls grew up with parents whose ideals and stubborn nonconformity were both their curse and their salvation. Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children's imagination. Rose Mary painted and wrote and couldn't stand the responsibility of providing for her family; she called herself an "excitement addict."

Penobscot Indian Molly Ayer is close to "aging out" out of the foster care system. A community-service position helping an elderly woman clean out her home is the only thing keeping Molly out of juvie and worse.... As she helps Vivian sort through her possessions and memories, Molly learns that she and Vivian aren’t as different as they seem to be. A young Irish immigrant orphaned in New York City, Vivian was put on a train to the Midwest with hundreds of other children whose destinies would be determined by luck and chance.

As a young girl in Miller's Valley, an ordinary farming town that may be facing its final days, Mimi is observing adults, selling corn, growing up and changing, and watching the world around her change, too. As the years go by, the unthinkable starts to seem inevitable. Anna Quindlen's novel takes us through the changing eras of Mimi and her family, as secrets are revealed, and the heartbreaks of growing up and falling in love with the wrong man are overcome.

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

Growing up in 1950s Detroit, they live in a perfect “Dick and Jane” house, where their roles in the family are clearly defined. Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life. But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies.

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

Clear-eyed and spirited, Taylor Greer grew up poor in rural Kentucky with the goals of avoiding pregnancy and getting away. But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity of putting down roots.

Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, DC, this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.

Blindsided by her mother’s sudden death and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she has been writing for six years. At 31, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life.

It’s February 1976, and Odessa, Texas, stands on the cusp of the next great oil boom. While the town’s men embrace the coming prosperity, its women intimately know and fear the violence that always seems to follow. In the early hours of the morning after Valentine’s Day, 14-year-old Gloria Ramírez appears on the front porch of Mary Rose Whitehead’s ranch house, broken and barely alive. The teenager had been viciously attacked in a nearby oil field - an act of brutality that is tried in the churches and barrooms of Odessa before it can reach a court of law.

When we last saw Zippy, she was oblivious to the storm that was brewing in her home. Her mother, Delonda, had literally just gotten up off the couch and ridden her rickety bicycle down the road. Her dad was off somewhere, gambling or "working." And Zippy was lost in her own fabulous world of exploring the fringes of Moorland, Indiana.

Barbara Kingsolver has written these five short stories with the same wit and sensitivity that characterize her highly praised and beloved novels Animal Dreams and The Bean Trees. Spreading her characters over a variety of colorful landscapes, she tells stories of hope, momentary joy, and powerful endurance.

In the fall of 1957, Olivia McAlister is living in Opelika, Mississippi, caring for her two girls, June and Grace, and her husband, Holly. She dreams of living a much larger life - seeing the world and returning to her wartime job at a landing boat factory in New Orleans. As she watches over the birds in her yard, Olivia feels like an “accidental” - a migratory bird blown off course. When Olivia becomes pregnant again, she makes a fateful decision, compelling Grace, June, and Holly to cope in different ways.

Kate, a recent college graduate, is still reeling from the deaths of her beloved parents when the discovery of hidden letters forces her to re-examine everything she knew about her family. Tacker, a young engineering student and all-around boy-hero, has returned from a West African odyssey where he fell in love with the local culture but was sent home in shame. Kate's and Tacker's stories come together when, on the same day and in different moments, they encounter a young African American man named Gaines. The relationship that develops between the three is complicated, as each one searches for love, freedom, and new beginnings.

When we last saw Zippy, she was oblivious to the storm that was brewing in her home. Her mother, Delonda, had literally just gotten up off the couch and ridden her rickety bicycle down the road. Her dad was off somewhere, gambling or "working." And Zippy was lost in her own fabulous world of exploring the fringes of Moorland, Indiana.

This powerful and haunting memoir details the years Paula McLain and her two sisters spent as foster children after being abandoned by both parents in California in the early 1970s. As wards of the State, the sisters spent the next 14 years moving from foster home to foster home. The dislocations, confusions, and odd pleasures of an unrooted life form the basis of one of the most compelling memoirs in recent years - a book in the tradition of Jo Ann Beard's The Boys of My Youth and Mary Karr's The Liars' Club.

When Haven Kimmel was born in 1965, Mooreland, Indiana, was a sleepy little hamlet of 300 people. Nicknamed "Zippy" for the way she would bolt around the house, this small girl was possessed of big eyes and even bigger ears. In this witty and lovingly told memoir, Kimmel takes readers back to a time when small-town America was caught in the amber of the innocent postwar period - people helped their neighbors, went to church on Sunday, and kept barnyard animals in their backyards.

A young woman sits in jail, accused of the mercy killing of her dying mother. She didn't do it, but she thinks she knows who did. In the last months of her life, Ellen Gulden's mother revealed startling secrets that challenged everything Ellen believed about her family. Now, in jail, Ellen believes those secrets will tell her who had the courage to end her mother's suffering.

Agatha has lived every day of the last seven years with her sisters: They work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines.

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

In 1906 I was barely over 14 years old, and it was my wedding day. My older sister, Helen, came to my room, took me by the hand, and sat me down on the bed. She said, "You've always been a good girl, Maude, and done what I told you. Now you're going to be a married woman, and he will be the head of the house. When you go home tonight after your party, no matter what he wants to do to you, you have to let him do it. Do you understand?"

So begins this extraordinary first novel about one wild year in the life of 14-year-old Charlotte Flax, when she and her sister Kate move with Mrs. Flax into a sleepy 1960's Massachusetts town. Mrs. Flax is a woman who wears polka-dot dresses and serves hors d'oeuvres for dinner every night, and Kate is a child who basically wants to be a fish. And then there's Charlotte, who in Patty Dann's hands, is transformed into a young woman of infinite whim and variety.

Bezellia Grove was born into the most prominent of Nashville families, but that didn’t stop her from having an alcoholic mother and a distant, adulterous father. Her nanny, Maizelle, and Nathaniel, the handyman, are the people who have taken care of her since she can remember. She considers them family, but her parents just consider them servants because they are Black. When Bezellia has a clandestine romance with Nathaniel's son, Whites and Blacks unite in fury at the young couple.

In the middle of her life, Nan decides to leave her husband at home and begin an impromptu trek across the country, carrying with her a turquoise leather journal she intends to fill. The Pull of the Moon is a novel about a woman coming to terms with issues of importance to all women. In her journal, Nan addresses the thorniness - and the allure - of marriage, the sweet ties to children, and the gifts and lessons that come from random encounters.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

On a balmy midsummer's evening in 1923, a young woman - foreign, dishevelled and heavily pregnant - is found unconscious just off the railway tracks in the tiny logging community of Woody Creek. The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives.

Greta Cahill never believed she would leave her village in the west of Ireland until she found herself on a ship bound for New York, along with her sister Johanna and a boy named Michael Ward. Labeled a "softheaded goose" by her family, Greta discovers that in America she can fall in love, raise her own family, and earn a living.

Cotton County, Georgia, 1930: In a house full of secrets, two babies - one light-skinned, the other dark - are born to Elma Jesup, a white sharecropper's daughter. Accused of her rape, field hand Genus Jackson is lynched and dragged behind a truck down the Twelve-Mile Straight, the road to the nearby town. In the aftermath, the farm's inhabitants are forced to contend with their complicity in a series of events that left a man dead and a family irrevocably fractured.

The mundane and the miraculous stand side by side in these sketches and stories of Southern small-time life by the author of Quite a Year for Plums.