Episode Summary:

This week, Peter and Eden dive headfirst into the high-octane world of Daniel Warren Johnson’s Transformers comic run, exploring its explosive art, emotional beats, and G1 nostalgia. Along the way, they unpack the pains of modern TV consumption, vent about doomed adaptations, and gush over goth rock albums and short-form sci-fi. It’s a heartfelt mix of media love, mild despair, and giant robots punching each other in the face—with feeling.

Show Notes:

• Peter kicks things off with a July 4th check-in and a quick rundown of what he’s been reading and listening to, including Atomic Habits and the debut album by High Parasite, a side project involving My Dying Bride’s Aaron Stainthorpe.
• Murderbot adaptation on Apple TV+ gets a thoughtful breakdown: Peter shares his appreciation for its tone, visuals, and how closely it mirrors Martha Wells’ novella All Systems Red, especially its deadpan view of humanity and delightful Sanctuary Moon cutaways.
• Discussion veers into TV trust issues—how shows like Paper Girls and Wheel of Time were abandoned too early by streamers like Amazon and Netflix, and why Apple TV+’s longer-term faith in its properties (Slow Horses) earns praise.
• Eden questions the fractured nature of modern TV popularity, riffing on Yellowstone’s massive reach despite their total ignorance of anyone watching it.
• A segment on Eden’s short-lived journey into the glitchy, chaotic world of gacha game Re Memento: White Shadow, complete with mistranslations and catastrophic layoffs.
• Peter shares exciting news about planning a trip to Japan for his 27th wedding anniversary—and the hurdles of learning Japanese through Duolingo.

For our main topic, we dive into the first arc of Daniel Warren Johnson’s Transformers comic:

• Eden provides background on the series and its creative team, praising Johnson’s gritty, wrestling-inspired action sequences and nuanced character work.
• Peter offers perspective as a lifelong fan reconnecting with the property, reflecting on the emotional impact of Optimus Prime, especially how the comic echoes the trauma of Transformers: The Movie (1986).
• Highlights include gruesome Starscream moments, human character development (especially Sparky’s sacrifice), and Optimus wielding Megatron’s blaster arm.
• Both hosts discuss the comic’s balance between fresh storytelling and homage to classic G1 design and lore.
• Closing thoughts touch on the excitement (and dread) around Robert Kirkman taking over the series soon, and how this arc was a rewarding, if nostalgia-heavy, entry point for fans old and new.