
Backwards and in Heels
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Narrated by:
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Katherine Littrell
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By:
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Alicia Malone
About this listen
"After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels." - Ann Richards
Women have been instrumental in the success of American cinema since its very beginning. One of the first people to ever pick up a motion picture camera was a woman, as was the first screenwriter to win two Academy Awards, the inventor of the boom microphone, and the first person to be credited with the title film editor. Throughout the entire history of Hollywood women have been revolutionizing, innovating, and shaping how we make movies. Yet their stories are rarely shared.
This is what film reporter Alicia Malone wants to change. Backwards and in Heels tells the history of women in film in a different way, with stories about incredible ladies who made their mark throughout each era of Hollywood, from the first women directors to iconic movie stars and present-day activists. Each story shares the inspiring accomplishments of women, while also highlighting the obstacles women have had to face.
Backwards and in Heels combines research and exclusive interviews with influential women and men working in Hollywood today, such as Geena Davis, J.J. Abrams, Ava DuVernay, Octavia Spencer, America Ferrera, Paul Feig, and many more, as well as film professors, historians, and experts. Join Alicia as she champions Hollywood women of the past and present, and looks to the future with the hopes of leveling out the playing field.
©2017 Alicia Malone (P)2018 Blackstone Audio, Inc.Listeners also enjoyed...
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Informative book
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Wow
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An informative and passionate call to arms!
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Great Book
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Film Fan Delight!
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Exactly the book I’ve been looking for
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Wow!!!
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Also this book is very cis white women. Black women are mentioned in the era up to civil rights but nothing after. A discussion regarding black women in leading roles, types of roles, and colorism would have been a very good analysis to have. Asian women are only mentioned with Anna May Wong, I don’t think that latinas, especially Mexican women being so close to Hollywood, are mentioned, and LGBTQ people are not mentioned Ed expect when hinting at scandal. Also why is this book only about Hollywood? Why not compare and discuss American and international filmmaking differences regarding women.
The last chapters are a mix of good and bad. There is discussion of women producers and studio insiders, a rarely discussed thing but chapters like Ava DuVernay really feel like it was written in the moment and already feels outdated.
A collection of profiles on women in the filmmaking industry
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