Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Meet DI Hillary Greene, a police woman fighting to save her career. Not only has she lost her husband, but his actions have put her under investigation for corruption. Then a bashed and broken body is found floating in the Oxford Canal. It looks like the victim fell off a boat, but Hillary is not so sure. Her investigation exposes a dark background to the death. Can Hillary clear her name and get to the bottom of a fiendish conspiracy on the water?

April 1284. As a newly widowed lady-in-waiting to the very pregnant Queen Eleanor of England, Catrin never expected to return to Wales again. She was definitely unprepared to be confronted with murder when she got there - or to find herself face-to-face with Rhys, the childhood friend she lost 20 years before. Rhys had never intended to return home either, but a lifetime of war has deposited him right back where he started - impoverished and owing service to Catrin's older brother.

Still spinning from the hustle and bustle of city life, Jodie ‘Nosey’ Parker is glad to be back in the Cornish village she calls home. Having quit the Met Police in search of something less dangerous, the change of pace means she can finally start her dream catering company and raise her daughter, Daisy, somewhere safer. But there’s nothing quite like having your first job back at home be catering an ex-boyfriend’s wedding to remind you of just how small your village is.

After the Great War, American heiress Ruby Vaughn made a life for herself running a rare bookstore alongside her octogenarian employer and house mate in Exeter. She’s always avoided dwelling on the past, even before the war, but it always has a way of finding her. When Ruby is forced to deliver a box of books to a folk healer living deep in the Cornish countryside, she is brought back to the one place she swore she’d never return. A more sensible soul would have delivered the package and left without rehashing old wounds. But no one has ever accused Ruby of being sensible.

Meanwhile, Gillan McArdle’s academic career is ending because of one stupid lapse of judgement. Offered a short-term contract, he lands on the Hebridean island of Harris to investigate obscure animal bones. Quickly dismissing the unicorn skull as a thinly disguised fake, he can’t deny there’s something unusual about these bones. Baited by rumors of a majestic tusked horse roaming the uplands, Gill begins to suspect someone is manipulating him. As he gradually unravels the mystery of the skull, he grasps a disturbing conclusion: If this creature does exist, the evidence suggests it’s a killer.