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Barry Lyndon
- Narrated by: Charlton Griffin
- Length: 13 hrs and 34 mins
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Publisher's summary
Barry Lyndon, first serialized in 1844, is a swashbuckling romp through the aristocratic Europe of the 18th century. The central character, a roguish Irishman, narrates most of the story in the first person, relating his adventures as a soldier in both the British and Prussian armies; as a gambler and confidence man under the guidance of his uncle, a practiced fraud; and as a fortune hunting gigolo in search of wealthy widows and heiresses. Although Barry is a most unsavory character, he is not without his charms.
Barry Lyndon represented a new kind of fiction: the novel without a hero. (Thackeray would later expand these ideas in his most popular novel, Vanity Fair.) The story contains Thackeray's best plot development and contains some of the best prose he ever wrote. Many listeners will hear an echo of Henry Fielding in this magnificent story, though Thackeray's belief that chance was the most overriding factor in most men's fortunes was definitely at odds with the philosophy of his predecessor. Barry Lyndon is a stirring narrative delivered in a rip-roaring whirlwind of a novel.
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
What listeners say about Barry Lyndon
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Brendan
- 07-12-12
going back to the original
I think one of the best films I have ever seen was Stanley Kubrick's classic production of this title and now I have gone back to this reading of the original. There are the inevitable omissions, deletions, variations and outright changes between the movie and the book but there can be no question that Kubrick caught the very spirit and essence of this work. Thackeray was a major rival to Dickens in the world of popular mid-Victorian literature and to my mind was the better if far less prolific writer. Both authors shared vivid if not to say startling powers of imagination. Whereas Dickens often descends into sentimentality Thackeray is cool and acerbic throughout and in consequence his humour is far more subtle and telling with a very distinct sting in the tail. "Vanity Fair" is of course his most famous and lasting work (also made into an excellent British TV series in the early 90s, a thousand times better than the frothy 2004 film starring Reese Witherspoon) but this earlier novel does not suffer by comparison. It is a tongue-in-cheek version of "Tom Jones" set in Ireland and follows the adventures and vicissitudes of the young Redmond Barry as he ascends from rural anonymity to the status of a great 18th century English Gentleman. After the Rise comes the inevitable Fall which is funny and tragic in equal degrees. The tone and pace of the language may be slightly off-putting to the modern listener accustomed to snappy dialogue and rapid transitions but a little patience with the opening chapters will be amply rewarded as the tale unfolds. This is really good stuff. If time is short, by all means go out and rent the movie!
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9 people found this helpful
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- Francis M.
- 09-07-16
Superb Rendition
Would you listen to Barry Lyndon again? Why?
Yes. This is a fictional autobiography of a most engaging rogue, an Irish adventurer, Redmond Barry. Mr. Griffin gives the definitive voice to the first person narrator. To my ears this is a perfect rendition with his affected Anglo Irish accent, and witth a most expressive delivery of all the emotions of the tragic- comic Barry.
Would you recommend Barry Lyndon to your friends? Why or why not?
Wholeheartedly
Which scene was your favorite?
Chapter 10, as Redmond Barry plays hard and gambles for the hand of The Countess Ida.
Was this a book you wanted to listen to all in one sitting?
No, i savored one or two chapters at a time
Any additional comments?
Thackery wrote a period piece centered on a fiercely articulate narcissist. The language employed is a joy to experience as read expressively by Mr. Griffen.
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4 people found this helpful
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- Patricia Melise
- 08-28-12
Sorely Disappointed
This book wasn’t for you, but who do you think might enjoy it more?
I'm really not sure.
What could William Makepeace Thackeray have done to make this a more enjoyable book for you?
There is no story line, just idle ramblings.
Did the narration match the pace of the story?
Yes
You didn’t love this book... but did it have any redeeming qualities?
Yes, it is supposedly a classic, which is why I chose it.
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