Berlin Alexanderplatz
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Narrated by:
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Julian Elfer
About this listen
Berlin Alexanderplatz, the great novel of Berlin and the doomed Weimar Republic, is one of the great books of the 20th century, gruesome, farcical, and appalling, word drunk, pitchdark. In Michael Hofmann's extraordinary new translation, Alfred Döblin's masterpiece lives in English for the first time.
As Döblin writes:
The subject of this book is the life of the former cement worker and haulier Franz Biberkopf in Berlin. As our story begins, he has just been released from prison, where he did time for some stupid stuff; now he is back in Berlin, determined to go straight.
To begin with, he succeeds. But then, though doing all right for himself financially, he gets involved in a set-to with an unpredictable external agency that looks an awful lot like fate.
Three times the force attacks him and disrupts his scheme. The first time it comes at him with dishonesty and deception. Our man is able to get to his feet, he is still good to stand.
Then it strikes him a low blow. He has trouble getting up from that, he is almost counted out. And finally it hits him with monstrous and extreme violence.
©2008 S. Fischer Verlag GmbH; Translation copyright 2018 by Michael Hofmann; Afterword copyright 2018 by Michael Hofmann (P)2019 TantorListeners also enjoyed...
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- Original Recording
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It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.
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SLO-o-o-w
- By Karen M on 11-27-24
By: Brid Cummings
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7 Hours to Die
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- Narrated by: Sarah Paulson, Patina Miller, Mel Rodriguez, and others
- Length: 2 hrs and 25 mins
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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He's Gone
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My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.
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Disappointing plot
- By TerriSweeta on 12-04-24
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Artemis
- By: Andy Weir
- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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The Mysterious Affair at Styles
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England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.
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It’s a perfect audible movie!
- By Malissa Caudell on 11-15-24
By: Agatha Christie, and others
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Do You Remember?
- By: Freida McFadden
- Narrated by: Teri Schnaubelt
- Length: 7 hrs and 12 mins
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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Eh
- By Zoe on 03-16-24
By: Freida McFadden
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What listeners say about Berlin Alexanderplatz
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- Andrew M.
- 12-09-24
Quite possibly the greatest book I’ve ever read
When exactly do you know that the book you are reading is so exquisite that it transfigures all your previous literary experiences into mere cobblestones on the path to its summit? For me, this feeling was immediate. This amused me greatly, as I was sure it couldn’t possibly last. Then, section-by-section and chapter-by-chapter the feeling wouldn’t quit me, to my great pleasure and astonishment.
I hope you don’t mind my hyperbole. I do not wish to intimate that this is the best book ever written. Rather, that this book is a kindred spirit to my soul.
It’s a that book possessed of all the satirical humor of Voltaire’s Candide, the psychological and existential incisiveness of a Dostoevsky book, and with the pacing, plotting, poetry, and style of a master storyteller. I was always enthralled, always engaged, always amused, and always intellectually and spiritually roused.
I could tell you about its story, about its titular character Franz Biberkopf, about its author who was writing about Berlin in the pre-WW2 era. I could explain how it weaves words of biblical proportions, intriguing metaphors, hilarious asides, and grungy anecdotes together into a tapestry of raw expressive power. It’ll all fall short of describing the mad wonder of this work.
The narrator is excellent. He gets the subject matter, even though this is a dense and complex work both thematically and linguistically. He pronounces all the German names with a perfect accent but utilizes a slangish vocal style to get across the grungy mood of the characters and story. The prose of the story bristles and thrums with such vitality, and the reader never disappoints.
I can’t recommend this book highly enough. It’s an awe-inspiring work.
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- Quijotic
- 04-16-20
Stephen Dadelus Has Nothing on Franz Biberkopf
An absolute romp of a book with some wonderful sensory language, populated with a vast assortment of humanity to spy upon—a testament and tapestry of Weimar life. (The only thing that comes remotely close, and we are talking a distant, distant second, is Isherwood’s Berlin Stories.
Don’t listen to the haters: read books that attack you. This one goes for your ear, eyes, and throat and doesn’t let go.
As for the comparison to Ulysses, it’s there but Joyce’s day-in-the-life pales in comparison to this gem of a Bildungsroman, and what Walter Benjamin himself called the sentimental education of the petty thief. Doblin has written, in my poor opinion, the greatest high modernist novel of the twentieth century.
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16 people found this helpful
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- Zachary
- 05-13-20
If you've liked The Miniseries by Fassbinder...
You'll love the book. It's much better than the film adaptations. Watch The Miniseries first and then read the book.
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- L. Thompson
- 07-21-24
Irritating narrator
The translation is written in mid-20th c. London
working class slang. The narrator reads in a relentlessly jocular Cockney (I guess) accent that gets really grating, like a bad imitation of a Monty Python sketch that doesn't end. Dialog is hard to follow as he uses the same tone, pitch and pace for every character. I hate to throw away a credit, but I had to bail about 1/3 in. I'll try and pick up the book some day.
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- Enchilada
- 02-05-20
Unable to capture interest
Ponderous. Absolutely unable to make me care about the protagonist. Too remote. This did not make the cut.
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3 people found this helpful