Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded expertly by women.

Margaret Tudor, the elder sister of her more famous brother Henry VIII, is the single most important Tudor figure of this era that historians have consistently overlooked. Married at thirteen to the charismatic James IV of Scotland, a man more than twice her age, she would learn the skills of statecraft that would enable her to survive his early death, and to construct a powerful position in her adopted country of Scotland as she dealt with domestic issues as well as navigating international relations with England and France.

In 1795, Catherine the Great of Russia was in search of a bride for her grandson Constantine, who stood third in line to her throne. In an eerie echo of her own story, Catherine selected an innocent young German princess, Julie of Saxe-Coburg, aunt of the future Queen Victoria. Though Julie had everything a young bride could wish for, she was alone in a court dominated by an aging empress and riven with rivalries, plotting, and gossip—not to mention her brute of a husband. She longed to leave Russia and her disastrous marriage, but her family in Germany refused to allow her to do so.

John Gaunt was the son of Edward III, brother to the Black Prince, father to Henry IV, and the sire of all those Tudors. He has had pretty bad press: supposed usurper of Richard II’s crown and the focus of hatred in the Peasants’ Revolt, as they torched his home, the Savoy Palace. Helen Carr paints a complex portrait of a man who held the levers of power on the English and European stage, passionately upheld chivalric values, pressed for the Bible to be translated into English, and patronized the arts.

The Wars of the Roses were a tumultuous period in English history, with family fighting family over the greatest prize in the kingdom—the throne of England. But what gave the eventual victor of these brutal and complex wars, Henry Tudor, the right to claim the crown? What made his Beaufort mother the great heiress of medieval England, and how exactly did an illegitimate line come to challenge the English monarchy? This book uncovers the rise of the Beauforts and tracks their fall during the 1460s and 1470s.

Catherine de' Medici was a ruthless pragmatist and powerbroker who dominated the throne for 30 years. Her youngest daughter, Marguerite, the glamorous "Queen Margot," was a passionate free spirit, the only adversary whom her mother could neither intimidate nor control.

A long-overlooked figure in history, Catherine has a crucial place in the history of the British Empire: she may have failed to produce an heir to the throne, but her marriage to Charles in 1662 marked a key turning point in Britain's imperial ascendancy, for part of her dowry was Bombay, Britain's first territory of the Indian subcontinent. Catherine also was highly influential in the worlds of fashion, Baroque art and music, and food and culture. She popularized tea drinking, bringing England's national drink into fashion for the first time.

Known to millions as the imperious matriarch of Bridgerton's court, Charlotte of Mecklenburg-Strelitz was still a teenager when she was chosen to be the bride of King George III. Shy, innocent, and sheltered, the orphaned princess and her groom carried the hopes of a nation on their shoulders. The unassuming young couple symbolized a new beginning, but soon those hopes began to sour. Charlotte and George's marriage lasted for nearly sixty years and produced more than a dozen children, but it was beset by unrest at home, war in the colonies, and the king's encroaching madness.

Henry V reigned over England for only nine years and four months and died at the age of just thirty-five, but he looms over the landscape of the late Middle Ages and beyond. The victor of Agincourt, he is remembered as the acme of kingship, a model to be closely imitated by his successors. William Shakespeare deployed Henry V as a study in youthful folly redirected to sober statesmanship. For one modern medievalist, Henry was, quite simply, “the greatest man who ever ruled England.”

In Foundation the chronicler of London and of its river, the Thames, takes us from the primeval forests of England's prehistory to the death of the first Tudor king, Henry VII, in 1509. He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past - a Neolithic stirrup found in a grave, a Roman fort, a Saxon tomb, a medieval manor house.

One of history’s most iconic figures, Cleopatra is rightly remembered as a clever and charismatic ruler. But few today realize that she was the last in a long line of Egyptian queens who bore that name. In The Cleopatras, historian Lloyd Llewellyn-Jones tells the dramatic story of these seven incomparable women, vividly recapturing the lost world of Hellenistic Egypt and tracing the kingdom’s final centuries before its fall to Rome.

Jacquetta always has had the gift of second sight. As a child visiting her uncle, she met his prisoner, Joan of Arc, and saw her own power reflected in the young woman accused of witchcraft. They share the mystery of the tarot card of the wheel of fortune before Joan is taken to a horrific death. Jacquetta understands the danger for a woman who dares to dream. Jacquetta is married to the Duke of Bedford, English regent of France, and he introduces her to a mysterious world of learning and alchemy.

Architecturally breathtaking and rich in splendid art and décor, Hampton Court Palace has been the stage of some of the most important events in British history, such as the commissioning of King James’s version of the Bible, the staging of many of Shakespeare’s plays, and Queen Elizabeth II’s coronation ball. The Palace takes us on “an entertaining journey into the past” (Kirkus Reviews) as it reveals the ups and downs of royal history and illustrates what was at play politically, socially, and economically at the time.

Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already-married Katherine. Their affair persists through decades of war, adultery, murder, loneliness, and redemption.

The six wives of Henry VIII have become defined in a popular sense not so much by their lives as by the way these lives ended. But, as Antonia Fraser conclusively proves, they were rich and feisty characters. They may have been victims of Henry's obsession with a male heir, but they displayed considerable strength and intelligence at a time when their sex supposedly possessed little of either. Inevitably there was great rivalry and jealously between them. The story Antonia Fraser tells is romantic and cruel, funny and sad, dramatic and enthralling.

As King James I’s favorite, Buckingham was also his confidant, gatekeeper, advisor and lover. When Charles I succeeded his father, he was similarly enthralled and made Buckingham his best friend and mentor. A dazzling figure on horseback and a skilful player of the political game, Buckingham rapidly transformed the influence his beauty gave him into immense wealth and power. He became one of the most flamboyant and enigmatic Englishmen at the heart of seventeenth-century royal and political life.

This is the story of a close, loving family splintered by the violent ideologies of Europe between the wars. Jessica was a Communist; Debo became the Duchess of Devonshire; Nancy was one of the best-selling novelists of her day; the ethereally beautiful Diana was the most hated woman in England; and Unity Valkyrie, born in Swastika, Alaska, would become obsessed with Adolf Hitler.

A long-overlooked figure in history, Catherine has a crucial place in the history of the British Empire: she may have failed to produce an heir to the throne, but her marriage to Charles in 1662 marked a key turning point in Britain's imperial ascendancy, for part of her dowry was Bombay, Britain's first territory of the Indian subcontinent. Catherine also was highly influential in the worlds of fashion, Baroque art and music, and food and culture. She popularized tea drinking, bringing England's national drink into fashion for the first time.

Richard of Bordeaux and Henry of Bolingbroke, cousins born just three months apart, were ten years old when Richard became king of England. They were thirty-two when Henry deposed him and became king in his place. Now, the story behind one of the strangest and most fateful events in English history (and the inspiration behind Shakespeare’s most celebrated history plays) is brought to vivid life by the acclaimed author of Blood and Roses, Helen Castor.

Thomas Cromwell has long been reviled as a Machiavellian schemer who stopped at nothing in his quest for power. As Henry VIII's right-hand man, Cromwell was the architect of the English Reformation, secured Henry's divorce from Catherine of Aragon and plotted the downfall of Anne Boleyn, and upon his arrest, was accused of trying to usurp the King himself. But here Tracy Borman reveals a different side of one of the most notorious figures in history.