Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Rebecca is living a peaceful life in Nevada with her husband, Tom, and their two young children. Her past is in the past and she does a good job of keeping it there, until her old friend, Danny, shows up on the doorstep one morning, throwing her sweet family life into turmoil. Danny is nothing but a reminder of what Rebecca fled all those years ago, and all the secrets she’s keeping from Tom. She tries her hardest to manage the situation and figure out what Danny wants, but all Rebecca seems to find are layers upon layers of deception.

My best friend disappeared twenty years ago. I thought she was dead. But today I’ve received a message that makes my heart stop. It says it’s from Izzy. And she’s blaming my new husband for her disappearance… I stare at the email in horror. I’ve only just managed to put what happened to Izzy behind me. My life is so different now. I have two perfect children, and the perfect husband at last.

Sarah and Adam Granatt had the perfect suburban life: a beautiful house, an adorable daughter, a baby on the way, and a once-in-a-lifetime love. They were the couple everyone envied—until Adam died. In the wake of his death, Adam’s secrets begin to emerge. The first comes out when a woman named Candace introduces herself to Sarah as Adam’s mother. Sarah is rightfully confused: Adam had always said his mother was dead. Adam also lied about making sure Sarah, Ellie, and the new baby would be taken care of financially. The truth is there’s no money.

Hickory Hills is the perfect place to raise a family. Everyone knows everyone. Sometimes, that’s a bad thing. The morning after the Halloween party, the word spreads from house to house, each resident gasping at the news, each mother holding their child tighter. Shelby has gone missing. My daughter should be distraught, but she’s claiming they weren’t even friends anymore. When I go to talk to her, I hear her giggling on the phone with Shelby’s boyfriend. And then I find her Halloween costume, stuffed into a bag in her closet, covered in blood.

Valerie Park: nurse, widow, harassee of the president of her Homeowner’s Association. Holly Kent: president of the Homeowner’s Association, harasser of Valerie, all-around pain in the ass. Clementine Harrison: photographer, yoga teacher, free spirit, defender of harassed women. After selling everything she owns and road tripping across Canada in a converted school bus named Matilda, Clementine moves next door to Valerie. Valerie is depressed, scared, and lonely. And even though she doesn’t know it, she’s also the victim of a crime.

Newlywed Sam has always wanted to be a part of a normal happy family. When her mother-in-law falls ill, Sam dutifully moves her family to Edenic Camillia Island to care for her. The island residents, namely the older women, welcome Sam and her daughter Emma with open arms, endless cocktails, and plenty of superstition. It seems perfect until it’s not. The house next to her mother-in-law’s is creepy—not only that, it’s where Ben’s first wife died. Sam’s teen daughter Emma isn’t interested in spending the summer in Camilia. It gets even worse when Emma starts to see things.

When Polly signs up to an art retreat in the Lake District, it's an escape from the stress of recent months, when a stalker preyed on her and her friend. It's also an opportunity to find out more about her family history: Polly believes her biological mother once lived here, at Lakeside House. But things quickly turn sinister. The previous owners supposedly took their own lives here, years before – and the glamorous new owners are now receiving disturbing threats. Someone is sabotaging Polly's artwork. The five other guests on the retreat all seem to be hiding something.

Elly is an expert in stalking – an academic at Cambridge University, and a talking head for TV and online, she knows the subject intimately – what motivates a stalker, what drives them, how to rehabilitate them. But when she starts to receive notes saying just ‘Me or you’ and realises she is being followed, she has become the victim herself. The professional becomes the personal but Elly does not realise quite how personal it is. When she is put in hospital by a stranger pushing her in a crowd, and realises she is in danger, she goes into hiding.

Five months ago, an accident left Diana Sparrow badly injured and missing a few months of her memory. As if that's not enough, she's started having recurring nightmares about the night of the accident. Dreams that feel so real, she's left questioning: maybe she didn't just slide off the road into a ditch. Maybe, just maybe, she hit something. Or someone. She can't turn to her former best friend Val, who's been sleeping with Diana's husband Jonathan for months, but she might find some comfort in newcomer Cole Pelham. But is Cole connected to what happened that night?

Eunice lives her life by three simple rules: One, always refer to Cinderella as family. Two, never let Cinderella gain access to rats or mice. Three, never look upon Cinderella between the hours of twelve and three a.m.

I look at our neighbours gathered in the garden for our annual summer barbeque, sipping chilled wine and smiling at my two daughters sprawled on the grass. I go inside to help refill glasses and then I hear it. A shrill scream that stops me in my tracks. I race outdoors to silence, a sea of bewildered faces. My first thought is for my girls, but they are there unhurt. With relief, we push the chilling sound to the back of our minds, returning to our drinks and conversations like it never happened.

Emily has the perfect life. The perfect husband. The perfect daughter. But she also has the perfect secret. One that could destroy everything she holds dear... one that could ruin her.

We all have that friend—the one who doesn't quite belong. Dinah Marshall is that person and knows it. After someone drops out, she's invited to spend the weekend at a luxury holiday home with women she's known since university. However, the gulf between them has widened since then, and Dinah is conscious of being the only one with no money, career, partner or children. Feeling like an outsider, she takes to snooping around the house.

Julia and Christopher Hygate have the picture-perfect life: gobs of money thanks to their lucrative shipping enterprise and an estate on a secluded island. When they meet Eve Sylvester, they know she is the exact person they should hire to be their child's nanny. Eve doesn’t have any living relatives, she’s lost touch with her friends, and her partner is out of the picture. Best of all, she’s expecting a baby. Eve thinks she’s landed the greatest gig—previously penniless, now she’ll live like a queen and have a promising future for her daughter. But the job seems too good to be true.

Gwendolyn Black is one of New York’s most renowned attorneys. But after her baby is kidnapped during her morning jog, the detectives working the case suspect she is hiding something. Further uptown, a retired criminal gives the ultimate gift to his girlfriend, who has just lost a full-term pregnancy: a perfect baby girl. With the media transfixed, the detectives tighten their noose, hoping Gwen will lead them to the kidnappers. But she has everything to lose and cannot trust the cops. Instead, she decides to face the kidnappers alone.