
Blade Runner
Originally published as Do Androids Dream of Electric Sheep?
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Narrated by:
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Scott Brick
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By:
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Philip K. Dick
About this listen
Here is the classic sci-fi novel Do Androids Dream of Electric Sheep?, set nearly thirty years before the events of the new Warner Bros. film Blade Runner 2049, starring Harrison Ford, Ryan Gosling, and Robin Wright.
By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can’t afford one, companies build incredibly realistic simulacra: horses, birds, cats, sheep. They’ve even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and “retire” them. But when cornered, androids fight back—with lethal force.
Praise for Philip K. Dick
“[Dick] sees all the sparkling—and terrifying—possibilities . . . that other authors shy away from.” - Rolling Stone
“A kind of pulp-fiction Kafka, a prophet.”- The New York Times
©1968 Philip K. Dick (P)2007 Random House, Inc. Random House Audio, a division of Random House, Inc.Listeners also enjoyed...
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Editorial review
By Emily Martin
IF YOU READ ONLY ONE ANDROID NOVEL IN YOUR LIFETIME, IT SHOULD BE BLADE RUNNER
I have a poster of Ridley Scott's Blade Runner hanging up in my living room, but, like any self-respecting book person, before I'd seen the famous movie adaptation, I read Do Androids Dream of Electric Sheep? The first time I read Philip K. Dick's novel, straightforward but filled to the brim with invention and thought-provoking concepts, was for a science fiction class as an undergrad. At the time, I had no idea what "cyberpunk" meant, and I certainly didn't understand the difference between an android and a robot. But Do Androids Dream of Electric Sheep? opened up my eyes to how sci-fi could engage the imagination.
If you've seen Blade Runner and have read or listened to the novel it’s based on, then you know that the film is not exactly what one would call a "faithful" adaptation. In fact, when I teach this book and this film in my dystopian fiction courses, students are often disappointed in the movie after reading the book first. But I think both the movie and the film are essential parts of the sci-fi canon. Both works are in conversation with each other. And both have significant things to say about the meaning of life, what it means to feel emotions, and (most essentially) what it means to be human.
Simply put, science fiction would not be where it is today without the influence of Blade Runner. And yet the audiobook is more than just an important part of sci-fi history. It's actually an incredibly engrossing, edge-of-your-seat, unforgettable ride. The future world that Philip K. Dick paints for us in his novel is a bleak one, filled with desperate characters fighting to find meaning in a world that has left them behind. But it's also a world where humanity—including androids—fights to do so much more than just survive. They're fighting for a life that feels full. Just like the rest of us.
Continue reading Emily's review >
Featured Article: The Best Sci-Fi Book-to-Film/TV Adaptations
Beyond raising fascinating possibilities, the best works of science fiction ask big questions: What does it mean to be human? What will the future look like? What mysteries does the universe hold, and what do they mean for life on Earth? Whether you choose to escape via audiobook, movie, or television, these science fiction stories are truly out of this world—in all their incarnations.
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Overall
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On Mars, the harsh climate could make any colonist turn to drugs to escape a dead-end existence. Especially when the drug is Can-D, which transports its users into the idyllic world of a Barbie-esque character named Perky Pat. When the mysterious Palmer Eldritch arrives with a new drug called Chew-Z, he offers a more addictive experience, one that might bring the user closer to God. But in a world where everyone is tripping, no promises can be taken at face value.
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Fantastic and current
- By Jerry Witt on 12-20-15
By: Philip K. Dick
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I, Robot
- By: Isaac Asimov
- Narrated by: Scott Brick
- Length: 8 hrs and 20 mins
- Unabridged
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This classic science fiction masterwork by Isaac Asimov weaves stories about robots, humanity, and the deep questions of existence into a novel of shocking intelligence and heart.
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Thank you
- By Fredrik on 06-11-04
By: Isaac Asimov
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Minority Report and Other Stories (Unabridged Stories)
- By: Philip K. Dick
- Narrated by: Keir Dullea
- Length: 7 hrs and 27 mins
- Unabridged
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Viewed by many as the greatest science fiction writer on any planet, Philip K. Dick has written some of the most intriguing, original, and thought-provoking fiction of our time. This collection includes "The Minority Report," "We Can Remember It For You Wholesale," "Paycheck," "Second Variety," and "The Eyes Have It."
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Nice Collection of Four P.D.K. Short Stories
- By DailyDog on 05-12-11
By: Philip K. Dick
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The Lost Generation Collection: 15 Novels, Stories and Poetry from Hemingway, Faulkner, Cummings, Fitzgerald, Hammett, Joyce, & Many More
- A Farewell to Arms, All Quiet on the Western Front, As I Lay Dying, The Great Gatsby, The Maltese Falcon, The Waste Land, & Much More
- By: Ernest Hemingway, Dashiell Hammett, Erich Maria Remarque, and others
- Narrated by: Nathan Osgood, David Rintoul, Adam Sims, and others
- Length: Not Yet Known
- Highlights
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These iconic works explore the depths of human suffering, identity, and transformation, showcasing some of the most profound voices of the 20th century. From the haunting reflections on war in All Quiet on the Western Front and A Farewell to Arms to the poetic expression of inner conflict in the works of Owen, Rosenberg, and Brooke, this collection provides a window into the world of writers who grappled with the aftermath of trauma and the search for meaning.
By: Ernest Hemingway, and others
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The Man in the High Castle
- By: Philip K. Dick
- Length: 9 hrs and 45 mins
- Unabridged
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It's America in 1962. Slavery is legal once again. The few Jews who still survive hide under assumed names. In San Francisco, the I Ching is as common as the Yellow Pages. All because some twenty years earlier the United States lost a war—and is now occupied by Nazi Germany and Japan.
By: Philip K. Dick
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Flow My Tears, the Policeman Said
- By: Philip K. Dick
- Narrated by: Jefferson Mays
- Length: 8 hrs and 38 mins
- Unabridged
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Jason Taverner—world-famous talk show host and man-about-town—wakes up one day to find that no one knows who he is—including the vast databases of the totalitarian government. And in a society where lack of identification is a crime, Taverner has no choice but to go on the run with a host of shady characters, including crooked cops and dealers of alien drugs. But do they know more than they are letting on? And just how can a person’s identity be erased overnight?
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It seems true
- By jennifer on 05-12-25
By: Philip K. Dick
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The Science Fiction Collection (20 Books)
- Ray Bradbury the Monster Maker, Rocket Summer, Isaac Asimov Youth, E.M. Forster Machine Stops, H. G. Wells Time Machine and Others
- By: Ray Bradbury, Isaac Asimov, E.M. Forster, and others
- Narrated by: Peter Coates, Mark Bowen, David McCord, and others
- Length: 47 hrs and 31 mins
- Unabridged
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This Science Fiction Collection brings together 20 iconic works from some of the genre's most influential authors. Featuring Ray Bradbury's atmospheric The Monster Maker and Rocket Summer, Isaac Asimov's thought-provoking Youth, E.M. Forster's dystopian The Machine Stops, and H.G. Wells' timeless masterpiece The Time Machine, the anthology explores a wide range of speculative themes. From futuristic worlds and artificial intelligence to time travel and human survival, this collection delves into the challenges and possibilities of the future.
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Good stories
- By Rose Antrim on 01-22-25
By: Ray Bradbury, and others
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2001
- A Space Odyssey
- By: Arthur C. Clarke
- Narrated by: Dick Hill
- Length: 6 hrs and 42 mins
- Unabridged
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It has been 40 years since the publication of this classic science-fiction novel that changed the way we look at the stars and ourselves. From the savannas of Africa at the dawn of mankind to the rings of Saturn as man adventures to the outer rim of our solar system, 2001: A Space Odyssey is a journey unlike any other.
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The Movie Makes More Sense Now
- By Douglas on 12-10-08
By: Arthur C. Clarke
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A Philip K. Dick Collection
- By: Philip K. Dick
- Narrated by: Andy Harrington
- Length: 11 hrs and 52 mins
- Unabridged
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From the author of science-fiction classics such as The Man in the High Castle and Do Androids Dream of Electric Sheep? comes a collection of 13 short stories of dystopic visions of technological terror, post-nuclear holocaust warfare, time travel, space travel, man vs. alien, man vs. machine, man becomes machine, man becomes plant, and other fantastic tales performed in a vividly dramatic narration by Andy Harrington.
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Unfortunately mediocre
- By Anonymous User on 03-14-23
By: Philip K. Dick
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The Divine Invasion
- VALIS Trilogy, Book 2
- By: Philip K. Dick
- Narrated by: David Aaron Baker
- Length: 7 hrs and 45 mins
- Unabridged
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God is not dead, he has merely been exiled to an extraterrestrial planet. It is on this planet that Yah—as this possible God is known—meets Herb Asher and convinces him to help Yah return to Earth, which is itself under the control of the demonic Belial. To do this, Asher must shepherd a woman pregnant with Yah past the tight security of Earth.
By: Philip K. Dick
This is the original Do Androids Dream of Electric
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The questions that this book tackles are difficult, and the way Dick attempts (and just manages to attempt) these questions is well-rounded; topics such as atheism versus theism and reality versus unreality (or perhaps surreality). They're handled with elegance and the beauty of imperfection and incompletion. The attempt to answer only leads to more questions. And such fantastic questions.
For a science fiction novel, it's also pretty accessible. Dick takes a lot of pointers from the noir and detective fiction genres; there's a lot of satisfying action alongside the difficult, intellectual subject matter.
As for the audiobook, the narrator is much too slow. Listening to him on 3x speed sounded like the normal speed of most narrators. But he was good, otherwise. Don't let it deter you from listening.
The Title Is A Question
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Counting electric sheep
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Would you say that listening to this book was time well-spent? Why or why not?
I would not say that reading or listening to anything is mis-spent; this is a dumb question.Even the worst of books has some redeeming value; this book is no where near the worst; even though I did not care for it that is not a good enough reason to say it was time mis-spent; if in fact I decided it was not worth listening then I would have quit. So once again dumb question.
Would you be willing to try another book from Philip K. Dick? Why or why not?
Probably not. but maybe.Have you listened to any of Scott Brick’s other performances before? How does this one compare?
he is excellent; his reading is always great.Do you think Blade Runner needs a follow-up book? Why or why not?
no.Any additional comments?
Not having seen the movie I went into this novel without the pre-conceptions of having seen the film 1st. The genre within Science Fiction that of the dystopic or anti utopia is one I was more attracted to when I was younger. Brave New World, A Canticle for Leibowitz, 1984, and others of that ilk had more attraction back then, just like Camus, or Sartre did too I suppose. This novel set in a post nuclear world has no real hope of redemption, the supposed connection to the collective, the empathy box is a device created to share emotions and the collective pain of Mercer, it seemed to me to be technology imposed by the state to create an alternate reality in a world radioactive and wasting away in kibble. The only other solace is perhaps buying one of the few remaining animals left after the nuclear bombs destroyed most life, and this is embedded in a capitalistic system that placed it outside of most peoples ability to own. And the androids? No more likable than the warm blooded humans. There is some attempt at collective behavior, for kicks they snip off a spiders legs, and revenge results in a goat flying off a roof.The other two considerations I have regarding this book is Decker's view of human sexuality, and that includes human/android intercourse, for a culture that speaks of empathy sex is as mechanical as the named sheep in the title. There is so little true emotion that Decker's wife needs to program depression in order to feel. The other really interesting question is reality.. does Mercer really exist? Is Decker really Mercer? a metaphor for all of us pushing Sisyphus's rock up the hill being all of us so separate from love, passion, and true empathy.. we are supposed to feel connected to humanity by observing this man's suffering? his cross on the way to crucifiction, only to roll down again.. no hope, or as Kerouac said
Distopia wears on me...
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Better world than story
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Great intelligent sci-fi
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Mr. Brick also changes his tone just so for each character, brilliantly illustrating their nuances without being distracting.
Great book and great reading.
A Sci-fi Classic - Wonderful Reading
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Necessary reading
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Pass
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I am beginning to think empathy should be measured. Scott Brick does an awesome job as always
Got My Goat
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