Leonard Cohen wrote the poems in Book of Longing - his first book of poetry in more than 20 years after 1984's Book of Mercy - during his five-year stay at a Zen monastery on Southern California's Mount Baldy, and in Los Angeles, Montreal, and Mumbai. This dazzling collection of poetry is timeless, meditative, and often darkly humorous.

Just weeks before his death in late 2016, Leonard Cohen told The New Yorker that he was ready for the end to come. He just wanted enough time to put his last book in order. Fortunately, that time was granted. The Flame is Cohen’s eloquent farewell, a valedictory collection of lyrics and poems that maps his singular creative journey. As noted in the Rock and Roll Hall of Fame’s citation, “For six decades, Leonard Cohen revealed his soul to the world through poetry and song - his deep and timeless humanity touching our very core.”

Over the years, and through the release of more than a dozen studio albums, Leonard Cohen gained a reputation as a dazzlingly literate and consistently daring songwriter. His status as a cult artist grew and solidified, all over the world. Now, Stranger Music brings together, for the first time in one volume, a generous selection of Leonard Cohen's song lyrics and poetry. Stranger Music reveals the range and depth of Cohen's work. It is a long-overdue celebration of his extraordinary gift for language that speaks with rare clarity, passion, and timelessness.

Published to immediate acclaim in 1956 when he was 22 years old, Let Us Compare Mythologies is Leonard Cohen's first book and contains poems written between the ages of 15 and 20.

In this unforgettable novel, Leonard Cohen boldly etches the youth and early manhood of Lawrence Breavman, only son of an old Jewish family in Montreal. Life for Breavman is made up of dazzling color - a series of motion pictures fed through a high-speed projector: the half-understood death of his father; the adult games of love and war, with their infinite capacity for fantasy and cruelty; his secret experiments with hypnotism; the night-long adventures with Krantz, his beloved comrade and confidant.

The pieces in this collection, written between 1956 and 1961 and including short fiction, a radio play, and a stunning early novel, offer startling insights into Cohen's imagination and creative process. Cohen explores themes that would permeate his later work, from shame and unworthiness to sexual desire in all its sacred and profane dimensions to longing, whether for love, family, freedom, or transcendence.

With Out of Your Mind: Essential Listening from the Alan Watts Audio Archives, you are invited to immerse yourself in 12 of this legendary thinker's pinnacle teaching sessions about how to break through the limits of the rational mind and begin expanding your awareness and appreciation for the Great Game unfolding all around us.

Lucinda Williams’s rise to fame was anything but easy. Raised in a working-class family in the Deep South, she moved from town to town each time her father—a poet, a textbook salesman, a professor, a lover of parties—got a new job, totaling twelve different places by the time she was eighteen. Her mother suffered from severe mental illness and was in and out of hospitals. And when Williams was about a year old, she had to have an emergency tracheotomy—an inauspicious start for a singing career. But she was also born a fighter, and she would develop a voice that has captivated millions.

In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman’s family and friends and those who worked closely with him, talk about the actor’s life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. The result is The Extraordinary Life of an Ordinary Man—revelatory and introspective, personal and analytical, loving and tender in places, always complex and profound.

This edition of A Course in Miracles is referred to as the “Original Edition“ and is the Course as it was completed in 1972. This was before there were significant edits in 1975. This edition was discovered in 1999 and was first published by Course in Miracles Society in 2006.

Leonard Cohen wrote the poems in Book of Longing - his first book of poetry in more than 20 years after 1984's Book of Mercy - during his five-year stay at a Zen monastery on Southern California's Mount Baldy, and in Los Angeles, Montreal, and Mumbai. This dazzling collection of poetry is timeless, meditative, and often darkly humorous.

Published to immediate acclaim in 1956 when he was 22 years old, Let Us Compare Mythologies is Leonard Cohen's first book and contains poems written between the ages of 15 and 20.

One of the best-known experimental novels of the 1960s, Beautiful Losers is Cohen's most defiant and uninhibited work. As imagined by Cohen, hell is an apartment in Montreal, where a bereaved and lust-tormented narrator reconstructs his relations with the dead. In that hell, two men and a woman twine impossibly and betray one another again and again. Memory blurs into blasphemous sexual fantasy - and redemption takes the form of an Iroquois saint and virgin who has been dead for 300 years but still has the power to save even the most degraded of her suitors.

In this unforgettable novel, Leonard Cohen boldly etches the youth and early manhood of Lawrence Breavman, only son of an old Jewish family in Montreal. Life for Breavman is made up of dazzling color - a series of motion pictures fed through a high-speed projector: the half-understood death of his father; the adult games of love and war, with their infinite capacity for fantasy and cruelty; his secret experiments with hypnotism; the night-long adventures with Krantz, his beloved comrade and confidant.

After more than two decades of research and travels, Christophe Lebold, who befriended the poet and spent time with him in Los Angeles, delivers a stimulating analysis of Cohen’s life and art. Gracefully blending biography and essay, he interrogates the mission Cohen set out for himself: to show us that darkness is just the flip side of light.