London, England, 1952. Meet the mercurial genius Professor Quanderhorn (James Fleet) - a maverick scientist with absolutely no moral compass. Join him and his rag-tag crew on their frontal-lobe-knotting escapades as they battle insane hybrid creatures: the Gorrirrel and the Squirrilla, to the death; become gods to a Stone-Age tribe; are engulfed in a Martian invasion of Earth; escape shipwreck on the Moon in a spacecraft powered by anger; and evade multiple fiendish traps in the Alien Ziggurat of Death. Will our crew of Brave Boffins survive?

It's not what you know but who you know that matters...and, indeed, how well you know them. The show is a bit like ‘Mr and Mrs’, except that it's not played by husbands and wives. Instead, panellists can pick anyone they like: dad, cousin, best friend, mother-in-law. What is Bridget Christie's worst fear? Or Ainsley Harriott's worst habit? Or Seann Walsh's worst gig? All these burning questions, and more, will be answered in this BBC comedy panel show hosted by Miles Jupp, where panellists are tested on how well they know their nearest and dearest.

When The Sandman, also known as Lord Morpheus - the immortal king of dreams, stories and the imagination - is pulled from his realm and imprisoned on Earth by a nefarious cult, he languishes for decades before finally escaping. Once free, he must retrieve the three “tools” that will restore his power and help him to rebuild his dominion, which has deteriorated in his absence.

Meet Dr Anthony Webster and Dr Ruth Anderson, two pathologists attempting to live normal lives in an atmosphere of death, decay and seriously unpleasant smells. Anthony loves his chosen profession, finding every cadaver exciting and surprising: 'they're like Kinder eggs that have died'. Ruth, however, longs for a juicy murder mystery, instead of one routine autopsy after another.

In Unruly, David Mitchell explores how early England’s monarchs, while acting as feared rulers firmly guiding their subjects’ destinies, were in reality a bunch of lucky bastards who were mostly as silly and weird in real life as they appear today in their portraits.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).