In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. Let the Record Show is a revelatory exploration - and long-overdue reassessment - of the coalition’s inner workings, conflicts, achievements, and ultimate fracture.

Arriving in New York City full of idealism, Paul discovers the queer community gathering strength in the face of government inaction and social stigma. As he protests, parties, and makes a new home, he finds himself pulling away from his HIV-negative boyfriend to pursue an intense bond with a passionate, HIV-positive artist. Paul’s awakening parallels ACT UP’s rise, successes, and controversies. And then everything shifts again, as his family is thrust into their own life-and-death struggle that tests him even further.

In 1987, somebody shoved a flyer into the hand of Peter Staley: Massive AIDS demonstration, it announced. After four years on Wall Street as a closeted gay man, Staley was familiar with the homophobia common on trading floors. He also knew that he was not beyond the reach of HIV, having recently been diagnosed with AIDS-related complex. A week after the protest, Staley found his way to a packed meeting of the AIDS Coalition To Unleash Power - ACT UP - in the West Village. It would prove to be the best decision he ever made.

In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Jack Lowery offers a complex portrait of a collective and its members, who built solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis.

From the lush feather boas that adorned early female impersonators to the sequined lip syncs of barroom queens to the drag kings that have us laughing in stitches, drag has played a vital role in the creative life of New York City. But the evolution of drag in the city—as an art form, a community and a mode of liberation—has never before been fully chronicled.

In 2017, New Yorker staff writer D.T. Max began working on a major profile of Stephen Sondheim that would be timed to the eventual premiere of a new musical Sondheim was writing. Sadly , that process – and the years of conversation – was cut short by Sondheim’s own hesitations, then the global pandemic, and finally by the great artist’s death in November 2021.

Devastatingly handsome and insanely rich, Farrell Covington is capable of anything and impossible to resist. He’s a clear-eyed romantic, an aesthete but not a snob, self-indulgent yet wildly generous. As the son of one of the country’s most powerful and deeply conservative families, the world could be his. But when he falls for Nate Reminger, an aspiring writer from a nice Jewish family in Piscataway, New Jersey, the results are passionate and catastrophic. Together, the two embark on a unique romance that spans half a century.

In a book both articulate and desperately needed, bestselling author Senator Ted Cruz provides a long overdue argument against the woke takeover of education, big business, the media, and Hollywood.

“What am I, bologna?” Mary Rodgers (1931-2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened.

In the Shadow of the American Dream is a stunning collection of riveting and revealing chapters from Wojnarowicz's extensive personal diaries - 30 volumes' worth of memories and lucid observations, some bitter, some sweet - that the author began writing when he was 17 and continued until his death two decades later. Here is a brilliant chronicle of an artist's emergence - a young man's still achingly fresh memories of his unhappy adolescence and his glorious discovery of self.

Over the course of his 35-year career in show business, David Pevsner has done it all. He’s acted on Broadway, off-Broadway, in independent films, and on numerous TV network shows. As he continues his career in entertainment, Pevsner has also dedicated himself to exploring his deepest sexual fantasies. In his late 30s, he became a mature male escort, and over the last several years has attracted a large international fan base through his blog of erotic photographs celebrating nudity and sexuality. Damn Shame is David Pevsner’s incredible story.

In her memoir, Power offers an urgent response to the question "What can one person do?" and a call for a clearer eye, a kinder heart, and a more open and civil hand in our politics and daily lives. The Education of an Idealist traces Power’s distinctly American journey from immigrant to war correspondent to presidential Cabinet official. In 2005, her critiques of US foreign policy caught the eye of newly elected senator Barack Obama, who invited her to work with him on Capitol Hill and then on his presidential campaign.

Michael C. Bender, senior White House reporter for the Wall Street Journal, presents a deeply reported account of the 2020 presidential campaign that details how Donald J. Trump became the first incumbent in three decades to lose reelection - and the only one whose defeat culminated in a violent insurrection.

With The Fighting Soul, Ari Rabin-Havt takes us where no profiles or televised interview have been able to go. As a close advisor and deputy campaign manager on Bernie Sanders's most recent—and likely last—presidential campaign, the tireless Rabin-Havt spent more hours between 2017 and 2020 with the Vermont senator than anyone else. Traveling the country for rallies and to support striking workers, the two visited thirty-six states, drove tens of thousands of miles, and ate in countless chain restaurants.

Baltimore Congressman Elijah Cummings was known for saying, “We’re better than this.” He said it in Baltimore, a city on the verge of explosion over police treatment of citizens. He said it in Congress when microphones were shut down, barring free speech. He said it when the president flaunted his power and ignored the Constitution. He said it when the president resorted to bullying, name-calling, and feeding racial divisions. We are better than this. He continued to say it until his final days last October.