
Cahokia Jazz
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Narrated by:
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Andy Ingalls
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By:
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Francis Spufford
“Dazzling.” —Los Angeles Times * “Energetic and hugely enjoyable.” —The Guardian, Best Fiction of the Year * “As intoxicating as a swig of bathtub gin.” —Good Housekeeping
The bestselling and award-winning author of Golden Hill delivers a “smoky, brooding noir set in the 1920s” (Slate) that reimagines how American history would be different if, instead of being decimated, indigenous populations had thrived.
Like his earlier novel Golden Hill, Francis Spufford’s Cahokia Jazz inhabits a different version of America, now through the lens of a subtly altered 1920s—a fully imagined world filled with fog, cigarette smoke, dubious motives, danger, and dark deeds. In the main character of hard-boiled detective Joe Barrow, we have a hero of truly epic proportions, a troubled soul to fall in love with as you are swept along by a propulsive and brilliantly twisty plot.
One snowy night at the end of winter, Barrow and his partner find a body on the roof of a skyscraper. Down below, streetcar bells ring, factory whistles blow, Americans drink in speakeasies and dance to the tempo of modern times. But this is Cahokia, the ancient indigenous city beside the Mississippi living on as a teeming industrial metropolis containing people of every race and creed. Among them, peace holds. Just about. Yet that corpse on the roof will spark a week of drama in which this altered world will spill its secrets and be brought, against a soundtrack of jazz clarinets and wailing streetcars, either to destruction or rebirth.
“Atmospheric…many of us will recognize our own held-breath bafflement, caught, as we are, on the darkling plain of our own barely believable times” (The Washington Post).©2024 Francis Spufford (P)2024 Simon & Schuster Audio
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Fantastic the whole way through.
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complex mystery with mystic undertones
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Amazing creative, gorgeous prose
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This novel resonates profoundly with me
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Cahokia feels so real
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I love how the author keeps dribbling out just enough detail to help understand the story. In a noir police procedural with a detective who’s part Native American — and in which larger political questions about control of Alaska loom! — he owes Chabon some kind of explicit nod to Berko Shemets and Meyer Landsman. Maybe it’s there but I missed it, or maybe I haven’t heard it yet.
The readers voice is just right. He does a wide variety of accents, possibly well, including Boston Brahmin, which isn’t easy!
If I have any complaints so far, it’s only that the audiobook should include maps of this fictional city and fictional world. I know they exist because I was able to find them by downloading a free sample of the Kindle book.
I’ll be buying a physical copy of this one sooner or later. Thanks!!
There’s a third alt-hist noir thriller!
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Imaginative noir
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Twist and turns, jazz
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Difficult to follow
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Interesting
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