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Childhood, Youth, Dependency
- The Copenhagen Trilogy
- Narrated by: Michael Favala Goldman, Mx Stine Wintlev
- Length: 11 hrs and 51 mins
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Publisher's summary
Brought to you by Penguin.
Following one woman's journey from a troubled girlhood in working-class Copenhagen through her struggle to live on her own terms, The Copenhagen Trilogy is a searingly honest, utterly immersive portrayal of love, friendship, art, ambition and the terrible lure of addiction, from one of Denmark's most celebrated 20th-century writers.
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Critic reviews
"Utterly, agonisingly compulsive...a masterpiece." (Liz Jensen, Guardian)
"Sharp, tough and tender...wrenching sadness and pitch-black comedy. Ditlevsen can pivot from hilarity to heartbreak in a trice." (Boyd Tonkin, Spectator)
"Astonishing, honest, entirely revealing and, in the end, devastating. Ditlevsen's trilogy is remarkable not only for its honesty and lyricism; these are books that journey deep into the darkest reaches of human experience and return, fatally wounded, but still eloquent." (Observer)
What listeners say about Childhood, Youth, Dependency
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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- Joselo
- 05-20-21
Eerily beautiful
Tove Ditlevsen (1917-1976) was a celebrated Danish author, whose autobiographical works, 'Childhood', 'Youth' and 'Dependency' (sometimes translated as 'Gift') are known together as 'The Copenhagen Trilogy'. It is beautifully read here by Stine Wintlev, whose gentle voice goes well with the elegant prose.
From a very young age, Ditlevsen is in search of the kind of structure that will allow her to write, which is what she loves to do. In the beginning, no one takes her interest very seriously, but eventually her talent is recognized and rewarded. To the best of her abilities, she tries to put together all that’s needed to fulfill her personal and professional aspirations, defying social conventions when she must, but ‘something’ seems to be always missing. This absent piece of the puzzle, this vacuum, goes unnamed throughout her memoirs. She never points at it explicitly, yet it’s palpable. There is a constant sense of instability and foreboding. Like the main character of a fairy tale, who is destined to lose her innocence, Ditlevsen disregards alarming signs of looming danger and is cast into a world of strange darkness. She shares her experiences in a style that is surprisingly delicate and light, almost magical, and a pleasure to read (or listen to). Her story takes place during a tumultuous time in Denmark, but her memoirs are mostly focused on the personal.
Like I said, I enjoyed Wintlev's narration a lot, but found it a little slow at first, so I played it at x1.1. This is probably a matter of taste. I played later chapters at the regular speed. She's a native Danish speaker, so she has no problem reading the few bits that are in that language.
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