It was all too frighteningly familiar. For the second time in his life, Alex Penn wakes up in an alcoholic daze in a cheap hotel room off Times Square and finds himself lying next to the savagely mutilated body of a young woman. After the first death, he was convicted of murder and imprisoned, then released on a technicality. But this time he has to find out what happened during the blackout and why, before the police do.

In this first in a series of wickedly funny mysteries, best-selling author Lawrence Block introduces Bernie Rhodenbarr, sometimes burglar, sometimes sleuth. Pulling only an occasional, very discreet job, Bernie manages to maintain his comfortable New York City apartment and keep his unorthodox vocation a closely-guarded secret. Every burglar knows never to trust anonymous phone calls. But when the caller offers easy money for an hour's work, Bernie can't ignore the job.

The hooker was young, pretty...and dead, butchered in a Greenwich Village apartment. The prime suspect, a minister's son, was also dead, the victim of a jailhouse suicide. The case is closed, as far as the NYPD is concerned. Now the murdered prostitute's father wants it opened again--that's where Matthew Scudder comes in.

Matthew Scudder, a down-but-not-out-detective, is shocked by the apparent suicide of Paula, a waitress at Armstrong’s, one of Scudder’s hangouts. When Paula’s sister shows up and asks Matt to investigate what she believes to be a murder, Scudder agrees to take on the case. A number of clues don’t add up to suicide, and Scudder’s investigation leads him to the dark corners of Paula’s world.

Acclaimed New York Times best-selling author Lawrence Block returns with the extraordinary Bernie Rhodenbarr. Antiquarian bookseller by day, burglar by night, Bernie has an innate knack, a gift, for getting into places designed to keep him out.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

It's 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of dos and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job - and don't ever associate with loose women. The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail.

The feds want Miami bookmaker Harry Arno to squeal on his wiseguy boss. So they're putting word out on the street that Arno's skimming profits from "Jimmy Cap" Capotorto - which he is, but everybody does it. He was planning to retire to Italy someday anyway, so Harry figures now's a good time to get lost. U.S. Marshal Raylan Givens knows Harry's tricky - the bookie ditched him once in an airport while in the marshal's custody - but not careful.

Key West, 1991. Don Roy Doyle is back in town. Tough and quick-witted, he's fresh out of prison, where he served three years for a diamond swindle. Now he's back to collect his share of the proceeds, about $200,000, but the money has vanished. A local family dynasty which has controlled the island's politics for generations, a cop with a grudge, the FBI, and the Russian mob all have a stake in the action.

Filled with his usual obsessions - sex, booze, gambling - More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly-veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters - climaxing with a long, hilarious adventure among French filmmakers.

On the outside, Tone seems to have it all. He has a father he looks up to and an older brother who keeps him under his wing - until the day his father crosses a line that changes everything. Tone is forced to enter a world he knew nothing about. Detective Abraham is obsessed with power and money, so he has figured out a way to play on both sides of the tracks when it comes to organized crime. The only thing stopping him from making it to the top spot is Santiago, one of the most feared suppliers in the country.

Here's Mickey Spillane and Mike Hammer in their roughest and readiest—a double-strength shot of sex, violence, and action that is vintage Spillane all the way. It's a tough-guy mystery to please even the most bloodthirsty of fans!

Quarry doesn't kill just anybody these days. He restricts himself to targeting other hitmen, availing his marked-for-death clients of two services: eliminating the killers sent after them, and finding out who hired them…and then removing that problem, as well. So far he's rid of the world of nobody who would be missed. But this time he finds himself zeroing in on the grieving family of a missing cheerleader. Does the hitman's hitman have the wrong quarry in his sights?

Mavis St. Paul had been a rich man's mistress. Now she was a corpse. And every cop in New York City was hunting for the two-bit punk accused of putting a knife in her. But the punk was innocent. He'd been set up to take the fall by some cutie who was too clever by half. My job? Find that cutie - before the cutie found me.

The murder of a harmless book dealer draws Denver homicide detective Cliff Janeway into an extraordinary quest. Suddenly his sources become victims, and he begins to understand that rare editions can cost lives.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.