Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Newlyweds Randy and Amalia work at her brother’s sugarcane plantation in Veracruz, Mexico—where they are both doing their best to put as much distance as they can between themselves and their shadowy pasts. But it is precisely their ill-gotten reputations that makes Amalia’s brother turn to them for help when his son, 14-year-old Quique, is kidnapped.

A series of haunting nightmares draws five former residents of a New York City high-rise back to their one-time home. But this is not a reunion. These five strangers have never met. But they are connected. The depressed photographer with telekinetic abilities … the paralegal who reads evil thoughts of strangers … the struggling author who can predict dark futures … the malicious hypnotist … the witch’s daughter …

Julian Baker has heard hushed whispers about the mystery from his family his entire life. In his senior year in high school, he vows to uncover the secret kept by those closest to him. What he discovers will change the lives of an entire town. High atop Crumpton Hill in Harris, Indiana there is a place locals shun once night falls. A place where the dead reach out to the living and nightmares come to life to walk the grounds.

It’s not that ElizabethAnn doesn’t want to live in the postmodern police state of No Oaks, where acrid refuse bins punctuate well-swept plasti-lawns and endless rows of ticky tacky. She simply doesn’t realize her hot-rod driving grandma has groomed her to break the space-time continuum and dive headlong into a forested dystopia called Bumblegreen, which she must single-handedly save from a sweeping blight.

Growing up in Revolution, Ohio, meant nothing special happened to you... ever. However, one Labor Day morning, a group of pre-teen children find themselves at the heart of a violent event. This leaves the town mourning and the families of the children living in disgrace.