Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Berkely Mather (real name John Evan Weston-Davies) was a British author who wrote sixteen novels ranging from historical adventures to espionage fiction. Included here are some of his best radio thrillers, beginning with The Sand Leopard, charting the exploits of Geth Straker, captain of the Peregrine. The trouble-hunting mariner is commissioned to sail to the Red Sea in search of sunken Second World War bullion – but are his two new crew members what they seem?

Hailed by Arthur Miller as ‘the mad inventor of modern theatre’, Johan August Strindberg was a Swedish playwright, poet and novelist whose groundbreaking works mingled naturalism and psychology and paved the way for Expressionist drama. A prolific writer – penning over 60 plays, 19 novels and nine autobiographies – his turbulent life was marked by emotional conflict. This wide-ranging collection brings together 13 of his most important dramas and a semi-autobiographical ‘occult diary’, enhanced through stunning soundscapes and music composed by Strindberg himself.

Quando, Quando, Quando is Clapham’s premier hairdressing establishment, where brothers Rene, Carlo and Charlie Quando cleverly clip, chop and crimp their lucky clients into shape. With three floors, 200 pairs of scissors and more mirrors than the Palace of Versailles, it’s truly a cut above – but all is not well at this emporium of excellence...

One of postwar France’s most influential writers, Albert Camus was fêted for his masterful exploration of the absurdity of the human condition. Included here are adaptations of his three iconic existential novels – The Plague, The Outsider and The Fall – alongside four bonus pieces shining a light on the man and his work.

Deviant. Depraved. Dangerous. Denounced for their transgressive themes and inflammatory ideas, these 20th-century classics have all been considered so seditious that they had to be suppressed. Find out what made these iconic works so threatening to governments worldwide in these superlative dramatisations, featuring stellar casts and specially composed music.