A husband and wife find themselves repeating the same scene over and over as something large looms in the sky above them. An old woman who takes care of her Alzheimer’s inflicted husband is exasperated when she realizes he believes that his mother is at their front door. Her mother-in-law, who has been dead for many years. She wants to show him he’s wrong, however, opening the door to prove it to him is a bad idea

In the tradition of The Twilight Zone and Tales From the Crypt, Ronald McGillvray’s Tales From the Parkland offers a spine-chilling collection that blurs the line between reality and nightmare. A father is forced to make a terrible decision… Which of his children will he sacrifice to the Garbage Collectors? A family’s sightseeing trip turns into a desperate fight for survival when a city is besieged by flesh-melting rain. A man’s childhood nightmare returns, forcing him to confront the monster under the bed to protect his family

From witches, wendigos, and werecats to sirens, sadists, and serial killers, Rebecca Rowland serves listeners a twenty-tale meal of cosmic, creature, and quiet horror in platters heaping with unsettling trepidation. In Rowland's long-awaited follow-up to The Horrors Hiding in Plain Sight, a lighted room provides no safe haven, and in the darkest corner of the basement waits a ravenous dread. The most sinister objects of fear are never truly discarded...just repurposed.

To Hell and Back serves as a mosaic of contemporary fears and timeless terrors, curated and edited by the Bram Stoker Award-winning Joe Mynhardt. This collection of horror stories brings together a diverse array of tales from both beloved and emerging voices in the horror genre, each story a unique exploration of the dark corners of the human psyche.

Y’ALL AIN’T RIGHT is an anthology of Southern Extreme Horror stories featuring 17 of the best extreme horror authors in the genre. From gator infested swamps to the overgrown backwoods, be careful how far you venture off of the main road. And if you hear banjos… well, you better paddle faster!

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.