The Daleks rampage in this collection of vintage stories from Terry Nation’s Dalek Annuals of the 1970s. Urgent message to all Anti-Dalek Force agents: the Daleks are coming! Defend yourself with The Dalek Audio Annual, packed with exciting tales of galactic terror, global invasion and the adventures of plucky human resistance fighters. Special ADF agents Nicholas Briggs, Louise Jameson and Matthew Waterhouse read five stories of battlefield reportage.

Six more thrilling stories of adventure in Time and Space from the original Doctor Who Annuals. Larger than life and twice as colourful, from the 1960s to the 1980s the stories within the Doctor Who Annual were exuberant and charmingly naive. Now, in this second audio volume, Peter Purves (Steven), Anneke Wills (Polly), Geoffrey Beevers (the Master), Matthew Waterhouse (Adric) and Nicola Bryant (Peri) read another selection of these colourful and energetic tales, with atmospheric sound design.

Fabulous tales from the vintage pages of Doctor Who Annual, brought to life by a host of Doctor Who voices. Dan Starkey, Geoffrey Beevers, Anneke Wills, Jon Culshaw, Louise Jameson and Colin Baker are our guides through these weird and wacky stories.

On Skaro, the home world of the Daleks, the Doctor encounters the militaristic Movellans - who have come to Skaro on a secret mission - whilst his companion Romana falls into the hands of the Daleks themselves. It soon becomes apparent that the Daleks have returned to their abandoned home city with a crucial objective, one which they hope will give them the advantage in a strategic war. When the Doctor realises what the Daleks are up to, he is compelled to intervene.

First published as an illustrated book in the 1960s and now a collector’s item, Doctor Who and the Invasion from Space sees the Doctor land in the futuristic world of The One. Along with the Mortimer family, whom he rescued from the Great Fire of London, he finds himself recruited to lead a galactic invasion from Andromeda - with the TARDIS instrumental in the plan! In Ten Fathom Pirates, a story from The Doctor Who Annual 1967, the Doctor encounters underwater raiders on a distant planet.

In 1890s Cardiff, reporter James MacFarlane is intrigued by rumours of ‘anaesthesia frolics’, at which gatherings the latest frontier in pain relief is demonstrated to influential guests. After he speaks to someone who attended several such ‘frolics’—and left with a hand and two fingers missing—James realises that the events have a dark side. Contriving an invitation, he is astounded to find another guest also investigating—it’s his old friend the Doctor! Reunited in mystery, the Doctor and James enter the murky underbelly of polite Cardiff society.

Nine exclusive adventures featuring a multitude of Doctors and companions. The collection opens with a trilogy of stories set in the First World War—Men of War, Horrors of War and Fortunes of War—in which the First, Third and Sixth Doctors are pitted against a rogue element in time.

The TARDIS brings its occupants to Calico Three, an Earth-like planetoid where industrial foundries are worked alongside sophisticated technology. The Doctor is staggered to learn about the Resurrection Plant, which re-births anyone mortally wounded in the line of work. While Jamie is put to work in the foundry, Zoe and the Doctor investigate the Plant—but when the machine goes terribly wrong, they must work with the locals to combat a horrifying monster. The Doctor also uncovers a shameful secret that, for him at least, hits close to home.

A new edition of the collection featuring each of the Doctor's full-cast BBC radio adventures—and more. Also included in this new edition is a 45-minute conversation with Elisabeth Sladen, recorded exclusively for BBC Audio in 2004.

The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book, Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live - a central motif of the horror genre. In the Dust of This Planet explores these relationships between philosophy and horror.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.