Dancing in the Dark
A Cultural History of the Great Depression
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Narrated by:
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Malcolm Hillgartner
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By:
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Morris Dickstein
About this listen
Hailed as one of the best books of 2009 by the New York Times and the Los Angeles Times, this vibrant portrait of 1930s culture masterfully explores the anxiety and hope, the despair and surprising optimism of distressed Americans during the Great Depression.
Morris Dickstein, whom Norman Mailer called “one of our best and most distinguished critics of American literature,” has brought together a staggering range of material, from epic Dust Bowl migrations to zany screwball comedies, elegant dance musicals, wildly popular swing bands, and streamlined art deco designs. Exploding the myth that Depression culture was merely escapist, Dickstein concentrates on the dynamic energy of the arts and the resulting lift they gave to the nation's morale. A fresh and exhilarating analysis of one of America's most remarkable artistic periods, with Dancing in the Dark Dickstein delivers a monumental critique.
©2009 Morris Dickstein (P)2010 Blackstone Audio, Inc.Listeners also enjoyed...
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- What His Plays Tell Us About Our Past and Future
- By: James Shapiro
- Narrated by: Fred Sanders
- Length: 9 hrs and 11 mins
- Unabridged
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The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.
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An Entertaining History Lesson
- By David on 08-17-20
By: James Shapiro
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Apollo's Angels
- A History of Ballet
- By: Jennifer Homans
- Narrated by: Kirsten Potter
- Length: 23 hrs and 27 mins
- Unabridged
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For more than 400 years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. A ballerina dancing The Sleeping Beauty today is a link in a long chain of dancers stretching back to 16th-century Italy and France: Her graceful movements recall a lost world of courts, kings, and aristocracy, but her steps and gestures are also marked by the dramatic changes in dance and culture that followed.
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a great book poorly read
- By Anonymous User on 04-14-11
By: Jennifer Homans
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Wasteland
- The Great War and the Origins of Modern Horror
- By: W. Scott Poole
- Narrated by: Andrew Eiden
- Length: 11 hrs and 30 mins
- Unabridged
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In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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An interesting take
- By CN on 07-30-19
By: W. Scott Poole
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With Amusement for All
- A History of American Popular Culture since 1830
- By: LeRoy Ashby
- Narrated by: Kevin Pierce
- Length: 33 hrs and 40 mins
- Unabridged
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With Amusement for All is the first comprehensive history of two centuries of mass entertainment in the United States, covering everything from the penny press to Playboy, the NBA to NASCAR, big band to hip hop, and other topics including film, comics, television, sports, and music. Paying careful attention to matters of race, gender, class, economics, and politics, LeRoy Ashby emphasizes the complex ways in which popular culture simultaneously reflects and transforms American culture.
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So Much Fun!
- By Paul on 11-28-13
By: LeRoy Ashby
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At the Existentialist Café
- Freedom, Being, and Apricot Cocktails
- By: Sarah Bakewell
- Narrated by: Antonia Beamish
- Length: 14 hrs and 39 mins
- Unabridged
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Paris, 1933: Three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to them about a new conceptual framework from Berlin called phenomenology. "You see," he says, "if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!"
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Consistent look at incoherent philosophy
- By Gary on 06-19-16
By: Sarah Bakewell
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The Western Canon
- The Books and School of the Ages
- By: Harold Bloom
- Narrated by: James Armstrong
- Length: 22 hrs and 4 mins
- Unabridged
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Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservatism, Afrocentrism, and the New Historicism. Insisting instead upon "the autonomy of aesthetic," Bloom places Shakespeare at the center of the Western Canon.....
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A personal and opinionated book on the Canon
- By Steffen on 07-23-12
By: Harold Bloom
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Story
- Substance, Structure, Style, and the Principles of Screenwriting
- By: Robert McKee
- Narrated by: Robert McKee
- Length: 6 hrs and 12 mins
- Abridged
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Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.
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Only 5 Chapters
- By Stephen Buck on 02-15-11
By: Robert McKee
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The Man Who Invented Fiction
- How Cervantes Ushered in the Modern World
- By: William Egginton
- Narrated by: Michael Butler Murray
- Length: 8 hrs and 14 mins
- Unabridged
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In the early 17th century, a crippled, graying, almost toothless veteran of Spain's wars against the Ottoman Empire published a novel. It was the story of a poor nobleman, his brain addled from studying too many novels of chivalry, who deludes himself that he is a knight errant and sets off on hilarious adventures. That story, Don Quixote, went on to sell more copies than any other book beside the Bible, making its author, Miguel de Cervantes, the single most-read author in human history.
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Very Interesting and Informative, but Poorly Read
- By LCorSMT on 06-21-23
By: William Egginton
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Natasha's Dance
- A Cultural History of Russia
- By: Orlando Figes
- Narrated by: Ric Jerrom
- Length: 29 hrs and 23 mins
- Unabridged
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Beginning in the 18th century with the building of St. Petersburg - a 'window on the West' - and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself - its character, spiritual essence and destiny. He skillfully interweaves the great works - by Dostoevsky, Stravinsky, and Chagall - with folk embroidery, peasant songs, religious icons and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world.
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A Kaleidescopic panorama of an enigmatic culture.
- By Tarquin on 02-13-19
By: Orlando Figes
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The Republic of Imagination
- America in Three Books
- By: Azar Nafisi
- Narrated by: Mozhan Marnò
- Length: 10 hrs and 8 mins
- Unabridged
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Blending memoir and polemic with close readings of her favorite novels, she describes the unexpected journey that led her to become an American citizen after first dreaming of America as a young girl in Tehran and coming to know the country through its fiction. She urges us to rediscover the America of The Wonderful Wizard of Oz and Adventures of Huckleberry Finn and challenges us to be truer to the words and spirit of the Founding Fathers, who understood that their democratic experiment would never thrive or survive unless they could foster a democratic imagination.
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Love
- By Rebecca on 05-29-16
By: Azar Nafisi