“The problem of the twentieth century is the problem of the color line,” writes Du Bois, in one of the most prophetic works in all of American literature. First published in 1903, this collection of 15 essays dared to describe the racism that prevailed at that time in America—and to demand an end to it. Du Bois’ writing draws on his early experiences, from teaching in the hills of Tennessee, to the death of his infant son, to his historic break with the conciliatory position of Booker T. Washington.

This pioneering work was the first full-length study of the role black Americans played in the crucial period after the Civil War, when the slaves had been freed and the attempt was made to reconstruct American society. Hailed at the time, Black Reconstruction in America has justly been called a classic.

William Edward Burghardt Du Bois (1868-1963), was an author, scholar, sociologist, historian, Pan-Africanist, and civil rights activist. After completing graduate work at the University of Berlin and Harvard, he became a professor of history, sociology, and economics at Atlanta University.

In 1924, in response to the pursuit of increasingly racist policies in the United States, W. E. B. Du Bois published a groundbreaking collection of essays that challenged the existing prejudices about Black people and provided a fuller accounting of Black contributions to American life. The accomplishments that Du Bois chronicles here - in art, literature, economics, religion, industry, the military, and more - are stunning, especially considering the obstacles facing Black Americans.

Few modern voices have had as profound an impact on the black identity and critical race theory as Frantz Fanon, and Black Skin, White Masks represents some of his most important work. Fanon's masterwork is now available in a new translation that updates its language for a new generation of listeners. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, Black Skin, White Masks is the unsurpassed study of the black psyche in a white world.

Published in 1915, the book investigates various aspects of African American history and the history of Africa, citing evidence of architectural development, writing, and numerous other cultural activities. It includes discussions of sub-Saharan cultures like Great Zimbabwe, Ghana, and Songhai. The history of the slave trade and the history of Africans in the Americas are thoroughly covered.

Few figures are more seminal in the abolitionist movement in America than John Brown. His firebrand approach to the movement arose out of his religiously inspired and deep-seated belief that slavery was not only morally unjust but that its removal from American society could only be achieved through armed insurrection. Prominent African American W. E. B. Du Bois chronicles the life of John Brown in this 1909 biography. In the words of Du Bois, John Brown was "a man whose leadership lay not in his office, wealth or influence, but in the white flame of his utter devotion to an ideal."

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of Black life and Black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era.

The successful 1776 revolt against British rule in North America has been hailed almost universally as a great step forward for humanity. But the Africans then living in the colonies overwhelmingly sided with the British. In this trailblazing book, Gerald Horne shows that in the prelude to 1776, the abolition of slavery seemed all but inevitable in London, delighting Africans as much as it outraged slaveholders, and sparking the colonial revolt.

The Silver Fleece, cotton, could be the answer to Zora and Bles' prayers in overcoming poverty. While attending Miss Smith's School in rural Alabama, they lovingly nurture their crop. But, the white aristocracy is determined to control the price of cotton and monopolize the market. Can two young lovers prevail despite the daunting obstacles laid before them?

Early in life, Walter Rodney became a major revolutionary figure in a dizzying range of locales that traversed the breadth of the Black diaspora. He was not only a witness of a Pan-African and socialist internationalism, but a prime actor in mass organization, catalyzing rebellious ferment, and theorizing an anti-colonial path to self-emancipation. This volume demonstrates the unbending consistency that unites his life and work: the ongoing reinvention of living conception of Marxism, and a respect for the still untapped potential of mass self-rule.

In this groundbreaking book, Aldon D. Morris’ ambition is truly monumental: to help rewrite the history of sociology and to acknowledge the primacy of W. E. B. Du Bois’ work in the founding of the discipline. Calling into question the prevailing narrative of how sociology developed, Morris, a major scholar of social movements, probes the way in which the history of the discipline has traditionally given credit to Robert E. Park at the University of Chicago, who worked with the conservative Black leader Booker T. Washington to render Du Bois invisible.

At once a powerful evocation of his early life in Harlem and a disturbing examination of the consequences of racial injustice to both the individual and the body politic, James Baldwin galvanized the nation in the early days of the civil rights movement with this eloquent manifesto. The Fire Next Time stands as one of the essential works of our literature.

In Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of Whites do not see their own wellbeing threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress.

This powerful, intensely dramatic book is the definitive account of the Haitian Revolution of 1794-1803. It is the story of the French colony of San Domingo, a place where the brutality of master toward slave was commonplace and ingeniously refined. And it is the story of a barely literate slave named Toussaint L'Ouverture, who led the black people of San Domingo in a successful struggle against successive invasions by overwhelming French, Spanish, and English forces and, in the process, helped form the first independent nation in the Caribbean.

This pioneering work was the first full-length study of the role black Americans played in the crucial period after the Civil War, when the slaves had been freed and the attempt was made to reconstruct American society. Hailed at the time, Black Reconstruction in America has justly been called a classic.

In this ambitious - even radical - literary collection, first published in 1920, civil rights leader W. E. B. Du Bois tackled race, gender, art, politics, labor, and economics from the perspective of an African American who, in his own words, had “been in the world, but not of it.” Du Bois took an experimental approach in Darkwater - utilizing essays, poetry, spirituals, sketches, and autobiographical writings - to break new ground on issues of race, class, and prejudice that continue to confound us.

Published in 1924 in response to growing racial tensions, W. E. B. Du Bois’ The Gift of Black Folk explores the contributions African Americans have made to American society, detailing the importance of racial diversity to the United States. He chronicles their role in the early exploration of America, their part in developing the country’s agricultural industry, their courage on the battlefields, and their creative genius in virtually every aspect of American culture.

“The problem of the twentieth century is the problem of the color line,” writes Du Bois, in one of the most prophetic works in all of American literature. First published in 1903, this collection of 15 essays dared to describe the racism that prevailed at that time in America—and to demand an end to it. Du Bois’ writing draws on his early experiences, from teaching in the hills of Tennessee, to the death of his infant son, to his historic break with the conciliatory position of Booker T. Washington.

In 1924, in response to the pursuit of increasingly racist policies in the United States, W. E. B. Du Bois published a groundbreaking collection of essays that challenged the existing prejudices about Black people and provided a fuller accounting of Black contributions to American life. The accomplishments that Du Bois chronicles here - in art, literature, economics, religion, industry, the military, and more - are stunning, especially considering the obstacles facing Black Americans.