A short story from the British Library Crime Classic collection Final Acts. The Great Detective recounts the tale of an old case to Inspector Cockrill, which, solved too late, failed to bring about a conviction. But Cockrill draws his own conclusions on the case.

After Arthur Penfold’s wife reveals she is leaving him to care for her ailing aunt, he sets upon a path of murder and deceit to avoid the social embarrassment of a second marital breakdown. But the purchase of a poetry book triggers a sequence of events that begins to unravel both Arthur and a seemingly open-and-shut murder case.

A struggling writer battles constant interruptions during his day, until a final visit from unexpected guests pushes him to his breaking point. A tongue-in-cheek nod to Edmund Crispin’s own troubles as a writer, this short story is both an ironic commentary on what it means to ‘work for yourself’ and arguably one of Crispin’s most personal pieces of crime fiction.

James Bennett, nephew of Sir Henry Merrivale (the cantankerous yet genius sleuth), has been invited to stay at White Priory for Christmas, among the retinue of the glamorous Hollywood actress Marcia Tait. Her producer, her lover, her playwright and her agent are all here along with the haughty master of the estate, Canifes and his daughter. So many suspects they become when Marcia Tait is found dead on Christmas morning in the lakeside pavilion, having been left there alone the night before and with a distinct lack of footprints in the snow to reveal any possible killer.

The village of Badger's Drift is the essence of tranquillity. But when resident and well-loved spinster Miss Simpson takes a stroll in the nearby woods, she stumbles across something she was never meant to see, and there's only one way to keep her quiet. Miss Simpson's death is not suspicious, say the villagers. But Miss Lucy Bellringer refuses to rest: her friend has been murdered. She is sure of it.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.