Evelyn Waugh's 1934 novel is a bitingly funny vision of aristocratic decadence in England between the wars. It tells the story of Tony Last, who, to the irritation of his wife, is inordinately obsessed with his Victorian Gothic country house and life. When Lady Brenda Last embarks on an affair with the worthless John Beaver out of boredom with her husband, she sets in motion a sequence of tragicomic disasters that reveal Waugh at his most scathing.

In the years following the First World War a new generation emerged, wistful and vulnerable beneath the glitter. The Bright Young Things of 1920s London, with their paradoxical mix of innocence and sophistication, exercised their inventive minds and vile bodies in every kind of capricious escapade. In these pages a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfillment of their desires.

Sent down from Oxford after a wild, drunken party, Paul Pennyfeather is oddly surprised to find himself qualifying for the position of schoolmaster at a boys' private school in Wales. His colleagues are an assortment of misfits, rascals and fools, including Prendy (plagued by doubts) and Captain Grimes, who is always in the soup (or just plain drunk). Then Sports Day arrives, and with it the delectable Margot Beste-Chetwynde, floating on a scented breeze.

In Scoop, surreptitiously dubbed "a newspaper adventure", Waugh flays Fleet Street and the social pastimes of its war correspondants as he tells how William Boot became the star of British super-journalism and how, leaving part of his shirt in the claws of the lovely Katchen, he returned from Ishmaelia to London as the "Daily's Beast's" more accoladed overseas reporter.

Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.