Una rivisitazione in chiave moderna di David Copperfield ambientata nella Virginia dei giorni nostri. Demon, figlio di una madre single e adolescente e nato in una roulotte, non possiede altro che un’arguzia feroce e un talento per la sopravvivenza. Tra i pericoli moderni dell’affidamento, il lavoro minorile, l’abbandono scolastico, il successo nello sport, i primi amori, la dipendenza e sconfitte di vario genere, Demon dovrà fare i conti con una società per la quale è invisibile, in cui persino i supereroi hanno abbandonato la provincia a favore delle grandi città.

Set in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses.

Ein Trailer in den Wäldern Virginias. Das Land der Tabakfarmer und Schwarzbrenner, der "Hillbilly-Cadillac"-Stoßstangenaufkleber an rostigen Pickups, aufgegeben von sämtlichen Superhelden und dem Rest der Nation. Hier kommt Demon Copperhead zur Welt – die Mutter ist noch ein Teenie und frisch auf Entzug, der Vater tot. Ein Junge mit kupferroten Haaren, großer Klappe und einem zähen Überlebenswillen, trotz allem, was das Leben für ihn bereithält: Armut, Pflegefamilien, Drogensucht, erste Liebe und unermesslicher Verlust. Es ist seine Geschichte, erzählt in seinen Worten, unbekümmert, vorwitzig, von übersprudelnder Lebenskraft.

The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it - from garden seeds to Scripture - is calamitously transformed on African soil. What follows is a suspenseful epic of one family’s tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.

In her new essay collection, the beloved author of High Tide in Tucson brings to us from one of history's darker moments an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects, ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter.

Holding the Line, Barbara Kingsolver's first nonfiction book, is the story of women's lives transformed by an a signal event. Set in the small mining towns of Arizona, it is part oral history and part social criticism, exploring the process of empowerment that occurs when people work together as a community. Like Kingsolver's award-winning novels, Holding the Line is a beautifully written book grounded on the strength of its characters.

Born in the United States, but reared in Mexico, Harrison Shepherd finds precarious shelter but no sense of home on his thrilling odyssey. Life is whatever he learns from housekeepers and, one fateful day, by mixing plaster for famed muralist Diego Rivera. When he goes to work for Rivera, his wife, exotic artist Kahlo, and exiled leader Lev Trotsky, Shepherd inadvertently casts his lot with art and revolution.

With the eyes of a scientist and the vision of a poet, Kingsolver writes about notions as diverse as modern motherhood, the history of private property, and the suspended citizenship of humans in the animal kingdom.

Prodigal Summer weaves together three stories of human love within a larger tapestry of lives in southern Appalachia. At the heart of these intertwined narratives is a den of coyotes that have recently migrated into the region. Deanna Wolfe, a reclusive wildlife biologist, watches them from an isolated mountain cabin where she is caught off-guard by Eddie Bondo, a young hunter who comes to invade her most private spaces and her solitary life.

Clear-eyed and spirited, Taylor Greer grew up poor in rural Kentucky with the goals of avoiding pregnancy and getting away. But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity of putting down roots.